长沙建发电建江山悦营销中心

作品类别 Category:会所空间设计 Clubhouse Space Design

获奖者 Designer:[中国 China] 吴文粒 Wu Wenli

“我的羁绊”大多来源于少时“跋涉”至离家几公里外小山坡上一次次的“游玩”体验，约莫天光乍现时分从家中悄悄溜出，待到日暮也不舍返回。少时玩伴们大多活泼好动，我却热衷于全神贯注的投入那细枝末节处的零碎景致。躲在低矮的山坡上，专注的看着，幕天席地间看远处的植被倒映在清浅的湖泊中，看投入湖中的小石惹出一圈又一圈涟漪，看光影薄雾肆无忌惮的覆盖万物……彼时也只知简单的看着，自觉甚是有趣。

Most of “my connections” come from my “touring” experiences of “trekking” to a hillside a few kilometers away from home during my childhood.I would sneak away from home around the break of dawn and would not go back even at nightfall.While most of my playmates were active,I was fully absorbed in those subtle pieces of scenery.I hided at low hillsides,watching with rapt attention,the reflections of plants in the distance in the clear and shallow lake,the stones rippling on and on in the lake,the light,shadow and mist covering everything unrestrained...I simply watched them,taking great delight in it.

后来便走南闯北去看了四处的风景，唯有成都的山峦，天津的礁石，莆田的飞燕令我记忆犹新。此时已能看出点由头来，在完成由“观物取象”的遐思过程后，落入其应有的各自的场域中，散布四方。而这一次，因缘际会般的碰上了特定的场域和时间，咫尺湘江，在这独特的地理环境中，与日光倾、与流水拂，期能再现出与“羁绊的源头”所契合的境域来。

As I have toured around different places later,the only attractions that stand out in my memory are the mountains in Chengdu,the rocks in Tianjin and the flying swallows in Putian.By now I can draw something from the scenery.After “absorbing meanings from observing objects”,I distribute these meanings to the domains they respectively belong to.As a result of serendipity this time,I come across a particular domain at a particular timing so close to the Xiang River.In this unique geographical environment where the sun illuminates the earth and the flowing water sweeps the land,I expect to see an ambience that becomes the “source of connections”.

东曦既上时的晨雾和水汽覆了满身，褪去了一切砌墙的阻拦后，肆无忌惮的侵入这处空间。远处的夜幕流萤坠入浅汪，涟漪也漾了开去。一切好似自然而然的生长在了这里，少时低矮的小山坡上的光景恍惚重叠又现，设计是一场对话，在静默中观望着过去与未来的攀谈，与时间的窃窃私语。

Covering all over my body,the morning mist and moisture seeps beyond the barrier of all walls and invades into this space unrestrained.As nightfall and fireflies fade away,the ripples are in place.Everything seems to grow here naturally,taking me all the way back to the low hillsides during my childhood.Design is a dialogue in which the designer reviews in silence the conversation between past and future and the whisper with time.

消融了实有的空间隔阂，在建筑的有无之间，回归原初的自然，才有了最本真的自我，收放自如，肆意洒脱。曲折迂回的行进动线，可任意游走、观赏，拐角处形成挡墙、山石、还有那远看形似流萤的壁灯，更有了些天地间极净的自然意味。室内水景占了大片，比寻常的都要显眼许多，倒映着通透空灵又似梦似幻的水影，人影绰绰，虚浮其间。在平和中俯身自观，自观空间的虚实，亦观内心的缩影，唤醒观照内心的力量，象由心生，亦随心灭。镜花水月影间弥漫着的是内心深处暗涌着的回响，或炽热、或凛冽、或粗狂、或温情。设计这场对话，始与空间，更与自我。

When the physical barrier is removed and the building is brought back to the original nature,the truest self is formed,totally free and easy.The winding and dynamic lines allow one to move freely for sightseeing.The retaining walls and hillstones at the corner and the firefly-like wall lamps offer a stronger natural feeling of extreme purity.The waterscape takes a large portion of the interior space,making it much more conspicuous than the average.The ethereal and dreamy water shadow is intertwined with reflections of people,creating a scene of fantasy.In serenity,I lean forward to look at myself,to inspect the virtual and real space,to examine my inner world,to arouse my pent-up energy.What you see comes from what you think and disappears as you let it go.The visual image represents the echo from deep inside my heart,passionate or harsh,wild or gentle.Design is a dialogue with space and the self.

“空间并非填充物体的容器，而是人类意识的居所。”自我意识被空间倒映着，循起内在的律动，空间与“自我”或亲密、或孤独、或热切、或疏远的相处对话着，“我们存在空间之中，空间也存在我们之内。我们诗意地建构空间，空间也灵性地构建着我们。

二层的景观视野极佳，而我也什么都不用做，什么都不用想，只等自然与光影出手，任凭它描摹一切温柔、迷蒙、浓郁、淡雅，放纵自然执笔，与空间一同有机生长开来。即便如此，也如同《空间的诗学》中所说的，“我们没有投入到冗沉的表达中去,也没有迷失在光与影的细节中,而是感到自己面前有一种寻求自我表达的“本质”印象。在裹挟着商业情绪的暗涌中，回归原初的自然，在“羁绊的源头”场域中，完成这场与自我、与空间、与时间的亲密对话。

“Space is a place of human ideology rather than a container to be filled with objects.” Ego is reflected by space and follows the internal rhythm while space interacts with the “self” intimately or lonesomely or passionately or distantly.“We are in the space and the space is in us.We construct the space poetically and the space constructs us intelligently.”

The second floor features superior perspectives for sightseeing.I don’t have to do or think about anything.All it takes is to wait for the arrival of nature,light and shadow,to let them depicting all the gentleness,mistiness,richness and gracefulness,to allow them to interact and grow with the space in an organic manner.Nevertheless,as suggested in The Poetics of Space,“Instead of immersed in redundant expressions or lost in the detail of light and shadow,we feel an “essential” impression that seeks self-expression in front of us.Amid the undercurrent mixed with commercial concepts,we should return to nature of the primitive state and complete the intimate dialogue with ourselves,space and time in the domain of the “source of connections”.