音乐剧《摇滚学校》：以摇滚的身份叙述音乐的魅力

2019年，三部利用摇滚乐创作的音乐剧点燃了北京观众的热情，第一部是百老汇风格的《谋杀歌谣》，第二部是法国风格的《摇滚莫扎特》，第三部是百老汇风格的《摇滚学校》。《谋杀歌谣》体现了室内剧的小成本与实验性，《摇滚莫扎特》在音乐和舞台呈现上广泛借鉴了古典元素又不失现代，而《摇滚学校》更多地是用通俗的音乐来塑造普通人的故事。3月22日到4月14日，《摇滚学校》在京演出，摇滚之声响彻北京天桥艺术中心。整体来说，《摇滚学校》更具摇滚范儿，当然，它也不只是摇滚，借摇滚表达音乐的力量才是这部剧带给观众最直观的感受，也是其魅力所在。

In 2019,three musicals created with rock & roll music have ignited the enthusiasm of the Beijing audiences.The first was the Broadway-styleMurder Songs,the second was the French-styleRock & Roll Mozart,and the third was the Broadway-styleSchool of Rock& Roll. TheMurder Songsembodies the small cost and experimentation of indoor dramas.Rock & Roll Mozartdraws on classical elements and modernity in music and stage presentations,whileSchool of Rock & Rollis more shaped with popular music to depict the story of ordinary people. From March 22ndto April 14th,School of Rock & Rollwas performed in Beijing,featuring the sound of rock and roll resounding through the Beijing Tianqiao Art Center. On the whole,School of Rock & Rollpresents more elements of such styles. Of course,it is not just rock and roll. Employing the rock & roll to express the power of music is the most intuitive feeling that this drama brings to the audiences,which is the very charms of the show.