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YU

2019-09-02建筑设计斯蒂格安德森SLA事务所

世界建筑 2019年8期
关键词:世界园艺博览会园林艺术外景

建筑设计:斯蒂格·L·安德森/SLA事务所

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在项目YUÁN 中,斯蒂格·安德森与他的SLA团队以繁体汉字的间架结构设计了世园会主园。独具一格的园林艺术词素构成了所有园林营造的基本单元,并合为一体。这就消解了单体的意义,并以整体中的作用取而代之。取出一个单元,调整整个体系,就会产生新的含义。

YUÁ N 的要素选自斯蒂格·安德森眼中的中国园林艺术未来的基础,以及城市发展和整体建成环境的根本:这些要素包括光、树、水、风、石,而人最终统领万物,将所有要素组织排列起来。因此,“园”展示出了一种“新自然”——虽由人作,亦尊天道——目的是创造出尽可能强烈的自然审美感。

万物皆有美,却非万人皆可见。(尚晋 译)

项目信息/Credits and Data

客户/Client: 北京世界园艺博览会事务协调局/Beijing International Horticultural Exhibition Coordination Bureau主持艺术家&设计师/Chief Artist & Designer: 斯蒂格·L·安德森/Stig L. Andersson

设计团队/Design Team: Fred Yuhe Zhang, Shuhan Liu,Natalia Budnik, Rasmus Grandelag

项目面积/Project Area: 1100m2

设计时间/Design Period: 2017-2018

施工时间/Construction Period: 2018-2019

摄影/Photos: SLA

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1.2 外景/Exterior views

3 竹桥平面/Bamboo bridge plan

5 外观概念/Exterior image

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6.7 外景/Exterior views

8 假山平立面/Rock formation plan and elevation 9 材料循环/Material cycle

In YUÁN, Stig L. Andersson and his team from SLA has designed the Expo International Master Garden in the same way as the classic characters'relation to composition. The individual garden art morphemes, which make up the smallest units in the construction of all gardens, are put together into a unit where their individual significance has ceased and replaced by their role in the collective entity.Take one out, adjust the whole system, and a new meaning emerges.

The elements of YUÁN are chosen from what Stig L. Andersson sees should be the foundation for the future of Chinese garden art - and for urban development and the built environment in general: These elements are light, trees, water, wind,rock, and human as the final uniting element that organises and arranges all other elements. Thus,"Yuan" presents a New Nature - man made but in the order of nature - with the aim of creating as strong an aesthetic sense of nature as possible.

In YUÁN, the art of cultivation, promoted by intentional human interference, has been included in the natural concept of beauty. It is a new garden art that unites the non-intentional human interference in natural processes with intentional interference. This complementarity is necessary to understand the beauty of the New Nature.

Everything has a beauty, but not everyone sees it.

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