素胚瓷片：申窑艺术中心（一期）

刘宇扬

现况

本项目地块位于上海市嘉定区华江路，立足于北虹桥区域。这片保有经典工业遗存景象的厂区，随着江桥镇被纳入虹桥商务圈，急需一轮改造更新来优化升级，以适应城市的新发展。

厂区内一栋建筑是包含了办公楼、两组大空间厂房以及数个附属小建筑的“生产综合体”；另一栋是板式多层宿舍，建造之初为多层厂房。现场保留的完整结构框架，带有工业的秩序感与大尺度生产车间的强烈空间感。设计的挑战在于继承原厂房大空间的建筑结构，赋予其新的功能，将原有铸铁旧厂房改造为展示陶瓷艺术的创意艺术园区（图1—图15）。

设计策略

从与原有建筑空间和结构的对话开始，挖掘置入的新功能空间的主题特征，在自身合理组织的同时也时刻跟原有结构体系产生碰撞与磨合。最后，通过对原有结构的局部退让、包裹、强化等空间关系处理，让充满序列感的结构体系暴露在城市空间中。

立面改造

我们选择正交与曲线组合的这一形式母题，将“素胚瓷片”抽象为片状弧面，结合不同建筑部位，有着三种谱系演绎：内凹的弧形门斗、适应不同空间尺度窗户的弧面窗套、联系阳台上下层贯通的弧面钢板幕墙。这些被系统组织的弧面作为构件，散落在厂区立面的各个位置，赋予建筑特有的立面特征，由此呈现出申窑的主调性。

南立面主入口大尺度的门斗设计，将厂房独有的空间特征向外立面延展。门斗空间裸露出通高结构的单柱，在揭示室内空间的同时发挥空间趣味。

厂房西侧突出的墙体与屋顶被拆除，作为将来酒店的前场，完整地露出钢筋混凝土的结构骨架。遗留构架的包裹，形成清晰的建筑体量关系，引入玻璃钢格栅幕墙体系，在保持体量完整的前提下，增加室内空间采光，增加立面丰富性。

图 1 / Figure 1素胚瓷片：申窑艺术中心（一期） / Unglazed Fragments:Shenyao Art Center（Phase I）

室内空间

我们梳理了建筑内部体量，在原有的大空间结构中灵活地设置并创造不同尺度的多重展示空间，在满足功能的同时注重塑造空间的趣味性，将其从原来的“生产综合体”转换成包含展览、工坊、培训等功能的“艺术综合体”。

西侧主体厂房内部增加了钢结构来划分出三层主要空间：在公共走廊区设置一组顺应结构的长天窗以及三组方形天窗，将光线引入室内穿透至各层；错落布置玻璃钢格栅+钢化玻璃楼面，更多的光线被引入厂房的中心区域，光线透过玻璃钢格栅被细分成小尺度的方格形状，在平静的办公空间中与使用者产生互动，使人感受到光线的流动；公共走廊两侧的房间内，置入半透明的阳光板+玻璃的双层隔断，改善原来空间的采光缺陷又满足艺术空间需要的安静。

我们将逐步完善在建筑中置入的光井设计，灵动地处理采光与通风问题：穿越各个楼层的“瓷片”内部有楼梯或电梯，隔墙由白色墙体或U型玻璃组成，“光线、弧线、质感”无不让人产生对陶瓷艺术的浓厚兴趣。

图2 / Figure 2申窑园区总平面图 / Site Plan

图3 / Figure 3申窑园区一层平面图 / Ground Floor Plan

图4 / Figure 4申窑园区3层平面图 / 3rd Floor Plan

景观梳理

厂房内部功能之间的退让，将遗留构架暴露给天空，新置入的功能之间也获得中庭空间，打破原来沉闷的空间体量。进一步地，我们把厂房腰部拆除，打造成半室外空间，高耸的空间以及完好的屋顶预支桁架结构都给人带来强烈的震撼。外部景观从前场穿越至后场，被分为东区与西区两部分，以解决厂房占地过大的压力，也便于改善建筑功能布局的分组与节奏；同时全方位地解决光线昏暗，厂房大进深无法满足日常使用的问题。

未来展望

面向未来此片区的进一步发展，我们设计预留出用作市民参与公共活动的广场空间，连廊直通“艺术综合体”的内部，作为北广场的入口。一方面意图通过渐进的方式逐步完善空间；另一方面，在设计解剖与重塑文化的同时，让本区域成为周边市民参与互动开放的城市公共空间。

在未来，改造后的“申窑艺术中心”将作为北虹桥艺术示范园区与南侧的公园相呼应，并与江桥周边的万达商业广场等商业资源形成互补，成为北虹桥的新文化地标。

基本信息

项目名称：申窑艺术中心（一期）

项目地点：上海市嘉定区华江路

基地面积：15,765 m2

建筑面积：14,440 m2

设计时间：2014—2016年

建设时间：2016—2018年

设计单位：刘宇扬建筑事务所

主持建筑师：刘宇扬

项目主管/项目建筑师：吴从宝

设计团队：王珏、陈卓然、陈晗、朱成浩、胡启明、文天启、周斯佳、宣佳丽、马腾、王军、杨一萌、周哲、林璨、贺雨晴

习近平总书记指出，人才是实现民族振兴、赢得国际竞争主动的战略资源，必须坚持党管人才原则，聚天下英才而用之，加快建设人才强国。未来总是属于年轻人。中国石化青工委正在联合有关部门加快实施人才强企工程，以增强“八种本领”为重点，建立源头培养、跟踪培养、全程培养的素质培养体系，促进各领域青年人才脱颖而出，青年人才活力竞相迸发，努力建设一支矢志爱国奉献，勇于创新创造的优秀青年人才队伍，助推中国石化决胜全面可持续发展、迈向高质量发展、打造世界一流。

驻场建筑师：林益洪

图5 / Figure 5申窑园区分析图 / Diagram

图6 / Figure 6

图7 / Figure 7

图8 / Figure 8

图9 / Figure 9

图10 / Figure 10

图11 / Figure 11

图12 / Figure 12

图13 / Figure 13素胚瓷片：申窑艺术中心（一期） / Unglazed Fragments: Shenyao Art Center（Phase I）

图14 / Figure 14申窑北广场入口 / North Square Entrance

SYNOPSIS

Unglazed Fragments: Shenyao Art Center（Phase I）

LIU Yuyang

Located in Jiading District of Shanghai along Jinghu Highway, the project is a renovation and regeneration of a series of decommissioned industrial factories and annexes from the 1990’s. The design adopts the idea of“unglazed fragments of porcelain” to generate the formal language of the façade intervention as well as the interior spaces. Preserving the structure and the relationship with the site, the design brings a creative atmosphere and new type of program by adding steel structures within the original industrial space. The large volume of enclosed and deep factory spaces is opened up by a newly inserted landscape corridor with a glass canopy to connect the front and back sides of the site, maximizing the usage of interior spaces for people and businesses. (Figure1-15)

Current Situation

The project site is located on Huajiang Road in Jiading District, Shanghai, based in the North Hongqiao area.This land of factories retaining typical industrial heritage,is in urgent need of renovation and regeneration to adapt to the latest urban development, when Jiangqiao Town is being integrated with the Hongqiao business district.

One of the factories is a “production complex” consisting of an office building, two groups of large-span workshops and several small annexes. The other one is a multi-storey dormitory which originally was built as a multi-storey factory. The complete structural framework was preserved on site with a sense of industrial order and a strong sense of space in a large-scale production workshop. The design challenge here is to inherit the structure of the original large factory, bring in new functions, and transform the original old iron foundry into a creative art park for displaying ceramic art works.

Design Strategy

Starting from the dialogue with the original architectural space and structure, we dig into the well-organized theme features of the newly-placed functional space,which intertwining with the original structural system.Finally, we expose the structural system with a sequential sense of urban space, by partially conceding, wrapping or reinforcing the original structure.

Facade Renovation

We use the combination of orthogonal and curved lines as abstraction of “unglazed fragments of porcelain” to form three different series of interpretations according to different architectural parts: concave vestibule, window casings adapting to different scales of space and the steel-plate curtain wall connecting the upper and lower layer of balconies. These systematically organized round surfaces are scattered as components at various locations on the façade of the factories, creating a unique architectural expression for the building façade.Design of the large-scale vestibule at the main entrance of south façade extends the unique spatial feature of the factory to the outer façade. The space of vestibule exposes a single column with a high structure, revealing the interior space for the curiously-minded.

The protruding wall and roof on the west side of the factory were demolished to completely expose the structural skeleton made of reinforced concrete as, creating a key element of industrial heritage and landscape device connecting phase 1 and phase 2 of the project. Wrapping the original structure forms a clear relationship of the building volumes. The introduction of Fiber-Reinforced-Plastic grating curtain wall system keeps a complete volumetric form, increases interior lighting, and offers a richly textured façade.

Interior Space

We reconfigured the internal masses of the factory, flexibly set and created multiple display spaces of different scales in the original large-space structure. Paying attention to create fun in space while satisfying the function, it is transformed from the original “production complex” into an “art complex” for exhibitions, workshops, trainings and so on.In the west side of the main factory, we added a steel structure to divide it into three main sets of space: a set of long skylights adapting to structure and three sets of square skylights in the common corridor area, invite light inside and penetrate all the layers; scattered layout of FRP grating and reinforced glass floor, introduce more light into the central area and subdivided into small-scale square shapes, interacting with users to feel the flow of light in a calm office; double-layer partition made of translucent polycarbonate panel and glass are placed in the rooms on both sides of the common corridor, which solves the lighting problem of the original space and meets the need of quietness for art spaces.

图15 / Figure 15申窑北广场入口 / North Square Entrance

We proposed large light wells as abstract “ceramic pieces” to resolve the problems of light and ventilation in the large interior spaces. Stairs and glass elevator inside the “ceramic pieces” go through each floor; partition walls are printed with white paint or U-channel glass;“light, arc and texture” all aims to inspire people’s strong emotion in ceramic art.

Landscape Reconfiguration

The receding of interior programs allows the preserved structure to be exposed to the sky. Among the newly-placed functions, the space for an atrium is created to break the monogamous volume. We further removed the connecting part of the factory complex to create a semi-outdoor space. The towering space and the intact pre-supporting truss roof structure both bring a strong visual impact to the visitors. The external landscape is connected from between front and back sides and divides the buildings into the east and west wings, relieving the pressure of having a large building footprint and facilitating a rhythm of internal programs. At the same time, the semi-covered landscape atrium helps to bring in the much-appreciated natural light and greenery into the deep part of the interior spaces.

Future Prospects

Faced with the prospect of future development in this area, the project sought to transform the former industrial compound into a new art and creative hub for the public by integrating closely to the new boutique hotel and office addition of the phase II, incorporating the surrounding neighborhood such as the adjacent retail complex and the open landscape park, ultimately creating a new cultural landmark in the North Hongqiao area.

Facts

Project Name : Shenyao Art Centre（Phase I）Location : Jiading District, Shanghai

Type : Exhibition, Workshop, Education

Site Area : 15,765 m2

Scale : 14,440m2

Design Stage : 2014-2016

Construction Stage : 2016-2018

Design : Atelier Liu Yuyang Architects

Design Principal : Liu Yuyang

Project Leader /Project Architect : Wu Congbao

Design Team : Wang Jue, Chen Zhuoran, Chen Han, Zhu Chenghao, Hu Qiming, Wen Tianqi,Sylvia Zhou, Xuan Jiali, Ma Teng, Wang Jun,Zhou Zhe, Yang Yimeng, Lin Can, He Yuqing

Site Architect : Lin Yihong

Design Scope: Planning, Architectural Design(Addition and Alteration), Interior Design (Common Area and Exhibition Space), Landscape Design

Client: Shanghai Shenyao Art and Culture Development Co., Ltd.,

Shanghai Xinao Industrial Co., Ltd.

Structure Consultant: Zhang Zhun

Electromechanical Consultant: Gao Xintai, Yu Lihua，Gou Shaobo

Contractor: Shanghai Xinao Industrial Co., Ltd.Structure: Steel-frame

Main Materials, Architectural: Fluorocarbon-coated Steel Panel, Fiber-Reinforced Plastic Grille, Stone-effect Coating

Main Materials, Interior: Polycarbonate Panel,Titanian-planted Stainless Steel Panel, In-situ Terrazzo

Main Materials, Landscape: Terracotta Brick,Natural Surface Cobble Stone, Flamed Granite Photography: Zhu Siyu