【卷首语】

【卷首语】

科学与技术如何生成艺术？水墨通过电子表现，会触发出哪些可能性？在一个日益数字虚拟化的世界里，“空间”如何重组？在本期的《展览现场》当中，新媒体艺术家们提出了一系列敏锐的问题，对于这些问题的回应，体现出了当代艺术那些最前沿的变化。

本期的多个《展览现场》和《艺术视野》主题，都关注着艺术生存状态在现时代所不断发生的变迁，以及这些变迁所带来的人类心灵的新鲜感应。清华大学“艺术、科学、博物馆”是理性精神与感性追求的一种结合的尝试，这样的尝试，正在多个维度上被今天的人们所触及和谈论。

本期的《理论研究》等栏目同时在当代理论层面上分析当代艺术的生存处境，艺术的衍生品、艺术的灵感来源以及设计的品牌概念等等，无不需要我们对于文化人文有深入细致的考量研究，在我们今天，这方面的研究在很多课题领域还只是刚刚开始而已。

天津美术学院学报执行主编 邵亮

2016年10月

[Editorial]

How do science and technology generate art? What possibilities will the electronic Chinese ink painting trigger?How will “space” be reorganized in such an increasingly digital, virtualized world? In the Exhibition Reviews column of this issue, the new media artists put forward a series of acute questions, and the responses to these questions re fl ect those most cutting-edge changes in contemporary art.

Many of the essays in the Exhibition Reviews and Art Vision columns are concerned with the constant changes in the survival state of art in modern times, as well as the fresh impressions in human mind brought about by these changes. The activity of “Art, Science, Museum” at Tsinghua University is an attempt to combine the rational spirit and emotional pursuit, which is now touched and talked about by people in multiple dimensions.

In the Theoretical Research column etc., the authors analyze at the level of contemporary theory the conditions of the existence of contemporary art. Each of the topics of art derivatives, source of art inspirations and brand concept of design and so on requires in-depth and detailed research on culture and humanities. At present, such kind of research has only just started in many subject areas.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

October 2016