Saya 公园
2021-11-13CCCBArquitectos
CC&CB,Arquitectos
美术馆鸟瞰 © Fernando Guerra
1 美术馆
建筑本不属于这里,却又好似为这片场地而生,并创造着自己独特的场域。为了使美术馆更好地融入场地,我们对场地进行了改造,以创造建筑之美。为了实现这一想法,我们克服了重重困难。
高耸的混凝土墙之间形成了一条林间小径。纹理粗糙,但形式极为优雅。穿过一个独立的体量,是一间用于学习及查阅信息的图书室。进入美术馆,仿佛走进了一个雕塑,它吸引着我们,让我们感受空间、光影、时间,思考过去和未来。走到这条路的尽头,外面无尽的景色映入眼帘,停驻此地,触景生情,探寻自己无尽的内心世界。
在建筑中,空间即为时间,光线定义着形式,游走中充满惊喜,粗糙里蕴藏优雅,功能紧密地融合,光影流露出美的真谛。
2 教堂
这个公园以前并没有教堂。公园内有着大量可用来冥想与内省的意象,徜徉此地,美景触手可及,只有一个内秀的空间才能与其相称。
教堂坐落在山坡上,向东敞开,浸润于每一天的阳光中。它与周围那些具有重大象征与情感意义的空间共享这一片场地,其形体与功能一样纯粹。当我们进入其中,沐浴在一道由上方孔隙透出的光线下,这种感觉是如此的真切、震撼和强烈。这里是信徒的礼拜之地,能够充分感应神灵的存在。空间、时间和冥思是这个小建筑创造出的奇迹,这种感觉就像走进了人们的灵魂深处。
3 观景台
穿过一片松林,我们便能欣赏到整个公园的自然美景。透过粗糙的树枝和低洼的植被,可以看到一座清水混凝土铸成的塔状建筑矗立在山坡上,看起来既狭窄又纤细。
好奇心将我们引向这座塔,然后一路攀登到塔顶。沿路有能观景的窗户,可以短暂地瞥到窗外的景色。塔顶是一个向南的阳台,在此山脉的形体感与历史感冲击着这片深谷,让我们沉醉于它美丽的景致中。从观景台返回地面,一种内省感油然而生。裸露在外且未曾加工过的混凝土表面与其纯净的形式形成鲜明的对比,尽管外形简单,建筑的本质——功能却是复杂的。
1 Art Pavilion
There are projects that are born both out of their site and for it.There are projects that create the site for themselves.The Art Pavilion was modified to the hill site and also adapted itself to it.And we also adapted ourselves to the beauty of this project.There was a strong will to build this particular idea on that site and all the challenges were overcome.
The forest pathway makes its way between high concrete walls,rough in texture,but elegant in form.Through an isolated volume,there is the destination for study and information,the library.We enter the Art Pavilion as if entering a sculpture that absorbs us and enables us to feel space,light,shade,time and also,what is before and what is beyond.Having come to the end of the route,we are presented with an external view of infinity.Inside the space,we look for our own internal,the personal infinity.
In architecture,space can be time.In architecture,light defines form.In architecture,the route surprises.In architecture,rough materials convey elegance.In architecture,the function is being there.In architecture,the shadow reveals beauty.
2 A Chapel
Saya Park lacked a chapel.There were plenty of symbols for meditation and introspection,allowing visitors to experience moments of beauty out in the open.A space of internal beauty was needed.
The Chapel building tucks into the hillside,opening up to the East and allowing in the light of the new day.It shares the location with other spaces of great symbolism and emotional significance.Its geometry is pure because its function is also pure.As we enter,we are bathed in light from above that penetrates through a small opening.But its effect,its greatness,is startling.Intended for Christian worship,it opens us up to spirituality.Space,time and meditation are great wonders that fit into this little building.As they do in the Soul.
3 Observatory
We cross Saya Park through a pine forest.Taking in the immediate landscape,we are absorbed by nature.The views are filtered through gnarled branches and low-lying vegetation.A tower built of exposed concrete sits up on a little hill.It is sited above the valley,trying to make it narrower.
Curiosity draws us into the tower,to climb and reach the top.On our way up,we pass windows that give views out and have fleeting glimpses.At the top,a balcony opens to the South.We gaze and are dazzled.The deep valley is crushed by the scale of the mountains and their history.The descent provokes introspection as we return to earth.The almost raw finish of the exposed concrete contrasts with the purity of the form.Despite its simple appearance,the essence of the tower is complex.Its function is the essence of architecture.
图片来源
1,2,8-13 CC&CB,Arquitectos 提供
5,6,18,19 Fernando Guerra 摄影
3,4,7,14-17 JongOh Kim 摄影
Saya Park 粗糙裸露的混凝土形象在一片绿树丛中分外显眼,其蜿蜒的建筑形体与地面紧密贴合,融为一体。混凝土表面印着木质纹路,这种做法将人工材料与自然环境以另一种姿态联系起来。
Saya Park uses rough exposed concrete,standing out from its green surroundings,while its long meandering shape and its close contact with the ground make it blend in with it.The texture of the wooden formwork is printed onto the concrete,in another gesture that relates the artificial material to its natural setting.
美术馆由各种画廊和展览空间组成。人们进入后,首先映入眼帘的是独立布置的图书室;整个建筑的结构有些类似洞穴,由两个隧道连接的竖井组成;高大的混凝土墙、连续的形态以及光与影的相互作用构成了建筑的内部空间。
The "Art Pavilion" comprises a variety of art galleries and exhibition spaces.Upon entering,a library housed in a separate area will first come into view.The cavelike structure consists of two shafts are connected by a tunnel.High concrete walls,straight shapes and an interplay between light and shadow,structure the interior of the building.
2 美术馆首层平面图
3 美术馆庭院4 美术馆室外
5-7 美术馆室内
建设地点:韩国庆尚北道
建筑设计:CC&CB,Arquitectos
联合设计:中国美术学院风景建筑设计研究总院有限公司
项目负责人:Álvaro Siza、Carlos Castanheira
设计团队:Rita Ferreira、Diana Vasconcelos、Luíza Felizardo、Nuno Rodrigues、Filipa Guedes
3D 建模:Germano Vieira
结构顾问:Paulo Fidalgo
木工:Serafim Pereira Simões Sucessores
石雕:Sousa Mármores
钢雕:SteelProf
总建筑面积:美术馆1 350m2,教堂42m2,观景台178.45m2
建成时间:2019
摄影:Fernando Guerra、JongOh Kim
教堂坐落在山坡上,向东敞开,浸润于每一天的阳光中。它与周围那些具有重大象征与情感意义的空间共享这一片场地,其形体与功能一样纯粹。当我们进入其中,沐浴在一道由上方孔隙透出的光线下,这种感觉是如此的真切、震撼和强烈。
The Chapel building tucks into the hillside,opening up to the East and allowing in the light of the new day.It shares the location with other spaces of great symbolism and emotional significance.Its geometry is pure because its function is also pure.As we enter,we are bathed in light from above that penetrates through a small opening.But its effect,its greatness,is startling.
8 教堂平面图9 教堂木质十字架细部10 教堂剖面图
观景台建在一座山坡上,塔顶是一个向南的阳台,可以看到深谷的景色。
The observatory is built on a small hill to provide a view of the deep valley landscape.At the top,a balcony opens to the South.
11 观景台剖面图
12,13观景台手工模型
14 教堂入口
15 教堂室内16 教堂室内木作17 教堂入口细部
18 美术馆与观景台
19 观景台