人物访谈
2020-07-14
1、您认为现代文化中最具影响力的传统文化特征是什么?
我认为是“(新旧之间的)不同”。在现代社会中,传统文化最具影响力的特征是“不同”但“有用”的特征。我们应该挖掘这些宝贵财富,提高我们的生活质量。
2、您最喜欢哪个项目?(这个项目让您感到)骄傲的是什么?
很难只选择其中一个项目,虽然所有的项目对我来说都是宝贵的。如果必须要选择,我喜欢其中3 个项目,GaOn Jai(嘉稳斋)、Flying House(飞轩)、Lim Geo Dang(森林生活)。因为据我对自己建筑风格的了解,这些项目比较有意义。
3、您创作Ga On Jai House(嘉稳斋)的灵感来自哪里?
Ga On Jai house(嘉稳斋)的基本建筑特征中应用了韩国传统建筑的空间特征和具象特征。不同空间的戏剧性序列和传统韩国建筑的飞天屋顶的动感及翱翔的形态被诠释为现代建筑语言,体现在Ga On Jai House(嘉稳斋)中。
4、Tetris幼儿园的设计理念是为孩子们创造各种学习体验。您如何在设计中进行体现?
在建筑的南侧,孩子们穿过各式游戏区域兼体验式学习区,这些区域从地面操场和体育馆开始到游戏台阶、休闲平台、游戏桥、屋顶阶梯游乐场,一直延伸到屋顶花园。当孩子们在建筑中来回玩耍时,每层室内空间就会自然产生互动。在这个过程中,孩子们可以体验各种室内和室外项目融合而成的有趣的迷宫。换句话说,每个空间都是激发孩子好奇心的一项娱乐、探索运动和游戏空间。
5、在Flying House(飞轩)的设计中,您是如何将传统韩国建筑的形态特征与飞行员的日常行为特征联系起来的?
为了明确住宅和房主的身份,我们将建筑“飞行”与飞行员日常行为的“飞行”联系起来。这栋Flying House(飞轩)大部分的动态曲线来源于韩国传统建筑高耸的屋顶,因此,Flying House(飞轩)动态或静止的运动象征着飞行员(房子的主人)的飞行。
6、在Archi-Fiore(建筑之花)中,装饰有由阴离子表面组成的大型金属花朵。您的设计意图是什么?为满足城市文脉中的和谐与认同要求,为了在这座小型“Archi-Fiore(建筑之花)”与对称的巨大圆形体育馆这一老地标之间进行对话,我将新的小标志性地标视为波普艺术金属建筑装置,以其独特的识别性提升这座建筑的商业价值。
7、在Kyeong Dok Jai(耕读斋)使用三个扇形区域的原因是什么?
这是一种生态友好的布局,将冬季的阳光穿过拼接块之间的缝隙,从场地后方引入北向内外部空间。我认为明亮的空间环境非常重要。
8、为什么Purple Hill(紫岸斋)选择了山对面的方向,永远保留在自然的绿色空间吗?
这是反刍性的选择,同时获得了良好的视野和天气条件。为了获得良好的自然景观,我们选择了朝北的方向,同时我们失去了朝南和朝东的良好天气条件,所以我们设计了漂浮的“透明投影箱”,以此引入南方温暖的阳光。
我们将竹子种植在透明投影箱内,透明投影箱变成了“漂浮的自然”。
9、为什么Bu Yeon Dang(浮然堂)采用了场地形状变成建筑形状的发设计方法?
为了最大限度地利用外部空间,并设计出安静的、环绕四周的内院,我们将建筑体量沿着场地的轮廓进行布局,从而这最大限度地利用了场地有效的布局。因此,建筑形态成为了场地的形态。
10、您对当代建筑教育的看法。
作为一名建筑师,在建筑学院教授学生是研究一些有创意建筑的另一种充满激情的工作。
11、您如何评价韩国当代建筑?
韩国当代建筑的文化水平已经达到了国际标准,但是我认为在未来,我们需要更多有创意的作品。
12、您对当代世界建筑发展的看法。
在我看来,除了几位老一辈的明星建筑师的作品外,近代世界建筑总体上是统一的,在未来,我认为需要通过将每一个不同地域文化的区域现代化应用到世界建筑中来,赋予全球建筑更丰富的多样性。
绿声轩 Nok Sung Hun
绿声轩 Nok Sung Hun
1. What do you think are the most influential traditional cultural features in modern culture?
I think it's "difference(between old&new)". The most influential characters of
traditional culture are "different" but "useful" features in modern society. We should
discover such jewels and improve the quality of our life.
2. Which project is your favorite work? What's the pride?
It's diffcult to select the only one project, though all my projects are precious to me, if I have to choose, I like 3 projects, GaOn Jai, Flying House, Lim Geo Dang, because they were meaningful projects to me for researching identity of my own architecture.
3. Where did your inspiration for creating GaOn Jai House come from?
Spatial characters and figurative characters of traditional architecture of Korea have been applied to basic architectural features of GaOn Jai house. Dramatic
sequence of diverse spaces and dynamic and soaring formativeness of the flying
roof of traditional Korean architecture were interpreted into modern language of architecture and they adapted on GaOn Jai house.
4. The design concept of Tetris Nursery is to create various learning experiences for children. How do you embody it in the design?
On the south-facing side of the building, children traverse through a wide variety of play areas that double as experiential learning spaces, starting from the ground level playground and gym. to the play steps, lounging terrace, play bridge, rooftop tiered playground, and all the way up to the rooftop garden. As they circulate through the building, interaction occurs naturally with the interior space on each floor. On the way, they get to experience the interesting labyrinth created by the blending of various indoor and outdoor programs. In other words, each space is an entertaining and exploratory movement and a play space that stimulates the child's curiosity.
5. In the design of Flying House, how did you connect the formation characteristics of traditional Korean architecture with the daily behavioral characteristics of pilots?
In order to give identity to this house and the owner we have related architectural"Flight" with pilot's daily behavioral "Flight". Dynamic curve of the mass of this Flyiing House has been derived from soaring roof of traditional Korean architecture,so, dynamic and frozen movement of Flying House is metaphorically symbolize the airline's flight of the pilot, the owner of this house.
6. In Archi-Fiore, a large metal flower composed of negative surfaces is installed. What is your design intent to do so?
For harmony and identification in urban context, to dialogize between this small"Archi-Fiore" and opposite huge round mass of gymnasium, the old landmark, I have installed new small iconic landmark as pop-artistic metal installation of architecture to enhance the commercial value of this building by it's unique identification.
7. What is the reason for using three sliced fan-shaped areas in KyeongDok Jai?
It was the eco-friendly layout for introducing winter sunlight from rear side of the site into inner and exterior spaces of this house facing north, throught the gaps between sliced masses. I think brighter atmosphere of space in house is very important environment.
8. Why did Purple Hill House choose the direction of the mountains opposite that will remain in the natural green space forever?
It was the ruminative selection to obtain both conditions of good view and good weather condition. For good natural view, we have selected facing north direction,at the same time, we have lost good weather condition facing south and east, so,we designed floating "glass box of light" through which introducing southern warm sunlight. And we planted bamboo inside the glass box, thereby, the glass boxes became "floating nature".
9. Why did Bu Yeon Dang adopt the design method that the shape of the site becomes the shape of the building?
To maximize the area of exterior space and to design silent and surrounding innercourt, we layout the architectural mass along the outline of site, thereby that's the efficient layout for maximum use of site. As a result, architectural shape has become the shape of the site.
10. Your views on contemporary architectural education.
As an architects, to teach the students in school of architecture is another passionate studies for researching some creative architecture.
11. What do you think of Korean contemporary architecture.
The cultural level of contemporary architecture of Korea is in international standard but I think we need more works of creativity and originality in future.
12. Your views on the development of contemporary world architecture.
In my point of view, in general recent world architecture are being uniform except the works of several stararchitects of older generation, in future, I think we need to give more diversity on global architecture by modernized application of the locality of each different regional culture to the world architecture.
白船 White Boat
Tetris 幼儿园 Tetris Nursery