全媒体时代的文艺发展与创新——以新性灵诗派的形成为例

自从1917年初胡适发表《文学改良刍议》以来，中国现代新诗已经度过了百岁生日。100年来走过的路，是崎岖坎坷的，也是成果辉煌的。一代代新诗人筚路蓝缕，不懈探索，使现代诗在古老的中华土地上一步一个脚印，从无到有、从弱到强地发展起来。我们敬仰前辈们的努力，从他们的诗艺中汲取营养。同时，我们也在反思中国现代诗面临的困境。100年过去了，由于各种历史原因，现代诗尚未足够成熟，存在这样那样的不足，依然有很大的开拓空间。尤其是在当代，网络诗歌繁盛，几乎人人可以写诗，也导致诗作良莠不齐，诗艺和立意均出现了各种问题。在此背景下，我从古今中外的诗论里寻求理论支撑，从以七剑诗群为主的诗歌创作中寻求实践支撑，提出了新性灵主义诗学。

Since Hu Shi published theOn the Improvement of Literaturein early 1917,the Chinese modern poetry has passed its 100th birthday. The road that has passed in the past century is both rugged and fruitful. The new poetry generations have been unremittingly exploring,making modern poetry with achievement step by step on the ancient Chinese land,from scratch to existing,and weak to strong. We respect the efforts of our predecessors and draw nutrition from their poetry. Meanwhile,we are also reflecting on the predicament of modern Chinese poetry. Some 100 years have passed,modern poetry has not yet matured due to various historical reasons. There are still such shortcomings with a lot of room for development. Especially in the contemporary era,online poetry flourishes,almost everyone can write poem,also leading to various problems concerning diverse quality,skills and ideas.In this context,the author seeks theoretical support from the poetry theories of ancient and modern China and foreign countries,proposing a new spiritual poetics while seeking practical support from the creation of the "Seven-Swordsmen"poetry.