耐克MSK盒,莫斯科,俄罗斯
2018-09-26建筑设计KOSMOS事务所StrelkaKB
建筑设计:KOSMOS事务所,Strelka KB
1 鸟瞰/Look down from above
2 模型/Model
位于莫斯科著名的高尔基公园内的MSK盒项目已成为城市的地标建筑。
建筑
建筑的外观由5个主要设计原则共同定义:通透性、开放性、激活场地、公园整合以及运动灵感。
“裸露”的框架赋予“体育设施”一种大胆而直白的美感。通透的外观和开敞式设计提供了建筑的开放性,并将其与公园绿地相融合。倾斜的“侧翼”激活了整个场地,人们得以使用屋顶区域,并使建筑物两侧的功能活动相互区分。鲜亮的、红色的场地美化和室内设计为体育活动注入了能量和灵感。
立面采用三维金属网格作为室内空间与公园之间的分隔,便于空气和光线渗透以及人流穿行。项目“裸露”的结构是极具穿透性的,展现了所有内在空间——从街道上可以看到水、暖、电控制室和所有的设备用房。
除了打造视觉上的穿透性,镂空框架使树木能够在建筑物内自由生长,这种手法既对公园的结构进行了整合,又不会对自然造成破坏。在阳光明媚的日子里,建筑的侧翼可以遮阳,纵横交错的阴影覆盖了立面周围的景观。
整个建筑被一块连续的活动场地所环绕。覆盖着红色橡胶的运动场地串联起体育场、树丛和阶梯状的观众席。橡胶延伸到建筑物内,在建筑物室内、外创造了统一的体验。
耐克MSK盒的屋顶是另一个值得一提的公共空间。为了将公共活动的空间最大化,屋顶被设置成可开设瑜伽课堂、提供公共服务或举办展览的无障碍空间。
内部空间的规划和组织
简单的正方形平面划分为4个特定部分:入口大厅、多功能厅、更衣室/储物区,以及设备用房。平面布局由两条相交的走廊构成,十字形的自由路径在视觉上连通了室内外,人们可以自由地进出。
通透的立面在视觉上将室内与公园相融合,可移动的隔断使入口大厅和多功能厅适用于特定活动。□(天妮 译)
Box MSK in Moscow's famous Gorky Park becomes a landmark building of the city.
Architecture
The appearance of the building is defined by its 5 main design principles: transparency, openness,activation of the whole site, integration in the park,and inspiration for sports.
"Naked" framework gives the building its bold, fair aesthetics of "sports infrastructure".Transparent facade and open plan provide openness of the building and integrate it in the park's greenery. Inclined "flaps" activate the whole site,allow people to use the rooftop and differentiate the activities on the sides of the building. Vivid magenta landscape and interiors give energy and inspire for sports achievements.
The facade with its 3-dimensional metal lattice functions as a membrane between interior space and the park, letting inside the air, the light and the people flows. "Naked" structure, of BOX MSK is see-through and transparent and reveals all the processes inside: even the MEP room with all its installations and cores is completely visible from the street.
Besides creating visual transparency, the openwork frame allows the trees to freely grow through the building, which sanctions integration of the structure in the park without harming nature. On sunny days the building's flaps provide sun protection and cover the landscape around the facade with intricate ornamental shadows.
The whole site around the building is a continuous playground. It is covered with magenta red sportive rubber and it incorporates sport fields,trees, and hills of spectator seats. The rubber continues inside the building as well, creating a unified experience both inside and outside the building.
Another important public space, besides the magenta playground landscape, is the rooftop of Nike BOX MSK. In order to maximise the space for public activity, and give back to the park the whole footprint of the building, it was designed as an accessible space where yoga classes, public announcements, exhibitions and parties can take place.
3 外景/Exterior view
项目信息/Credits and Data
概念及建筑方案/Author of the Concept and Architectural Solutions: KOSMOS事务所/KOSMOS Architects: Artem Kitaev (partner), Leonid Slonimskiy (partner), Alexander Alyaev, Marina Skorikova. Dmitriy Prikhodko
建筑及技术方案/Author of Architectural and Technical Solutions: Strelka KB: Daria Paramonova, Andris Rubenis,Anastasia Krotova, Daria Grudinkina, Andrey Manakin,Artur Makarov, Alexey Tsarev, Sergey Lebedev
结构工程/Structural Engineer: Werner Sobek
耐克团队/Nike Team: 创意总监/Creative Director: Andy Walker;设计总监/Design Director: Wai Lau;高级设计师/Senior Designer: Daniel Whiteneck;建筑师/Architects:Eri Pontikopoulou & Greta Mozzachiodi;项目协调/Project Coordinator: Paul Cetnarski
项目管理/Project Management: Harmen Schepers &Maryte Klizs
面积/Area: 4700m2
摄影/Photos: Yuri Palmin, @Borsch
4 平面/Plan
5 功能示意/Functional diagram
6 鸟瞰/Look down from above
Plan and organisation of the interior space
Simple square plan of the building is divided into 4 clear parts: entrance hall, multi-purpose hall,dressing rooms/closet zone, utility block. The layout is organised by two intersecting corridors, which create a cross-shaped free path, visually connecting the interior with the exterior and allowing people to circulate inside-out freely.
Transformable partition enables to unite the entrance hall and the multi-purpose hall for specific events, while transparent walls of the facade visually unite the interior with the surrounding park. □
7.8 外景/Exterior views
评论
胡恒:手法较为老套。透明网格覆盖建筑主体,暴露管线,植物进入表皮,建筑对广场全开放,这些手法在30多年前在蓬皮杜中心都用过。这暗示着莫斯科的公共建筑落后巴黎30年?刻薄点说,这个建筑,我没有感受到它的内核,没有感受到它号称的“体育设施的美学”。它是耐克店或苹果店,我看没什么差别。它的每一个面都在试图告诉大家,“我是公共的,快来使用我吧”。但建筑本身没有传递出任何专属自己的信息。这不是一个迷人的建筑,但也许放在那里挺合适。我没去过高尔基公园。它现在可能真的很渴求某种最基本的“公共性”——是因为缺失太久了么?也许吧。
张昕楠:某种程度上建筑空间也可被视为一种收纳,一个容纳相应行为活动和设施的盒子。MSK盒的设计直白地回应了盒子的定义和功能要求,并通过对立面系统结构形式语言的延展,以一种游戏的方式将盒子打开。这样看似戏谑的操作,实则回应了设施和场地的各种要求,从广告牌、电子计分板到连接地面和屋顶的坡道。稍显遗憾的是,建筑部分的主体结构语言与立面结构语言的割裂,在形式方面削弱了设计中盒子的概念,另一方面也混淆了结构的理性。
9 剖面/Section
Comments
HU Heng: This is a conventional approach, including a transparent-grid-covered structure, exposed pipelines,plant-involved facades and an open plan, which has been employed on Centre Pompidou over 30 years ago. Does this indicate that the public building in Moscow presents 1980s' Paris? Frankly, I cannot see the core concept of this architecture and its so-called "aesthetics of 'sports infrastructure' ". It could be a Nike or an Apple store – the difference would be very limited because each of its sides attempts to express the idea, "I am a public facility. You are welcome to use me." Nevertheless, the building has never conveyed any information about itself. Although it cannot be considered as charming, it would serve as an appropriate facility in the park. I have never been to Gorky Park, yet I suppose that it desires the most basic concept of"publicness." This, perhaps, is due to the lack of such a sense for too long a time. (Translated by Dandan Wang)
ZHANG Xinnan: The architectural space can be considered as a type of container that accommodates corresponding activities and facilities. The design of MSK box responds to the definition and the function of box directly. Through extending structure and form language of the façade system, the box is opened in a playful way. The almost bizarre treatment actually fulfills different requirements of the facilities and the site, from billboard and electronic scoreboard to the slope that connects the ground and the roof. However, the structure language in the main body is not consistent with the one in the facade, which weakens its form concept as a box and the structure rationality.(Translated by ZHANG Jingqiu)
10 走廊内景/Interiors corridor
11 洗手间/Restroom