辰山植物园矿坑花园，上海，中国

朱育帆/ZHU Yufan

辰山植物园矿坑花园，上海，中国

朱育帆/ZHU Yufan

Chenshan Botanical Garden Mine Garden, Shanghai, China, 2009

1 坑体利用路径/Path within the pit

2 坑体北壁/North face of the pit

3 台地区/Terrace

2007年7月5日第一次来到辰山西矿坑现场，那时对于矿坑改造的经验为零，但提前“做功课”并不是我的工作方式，有时经验（无论是直接还是间接）会让设计师丢掉某种本真，先验的空白更容易让自己在初到场地时跟随直觉的指引。在遣散了陪同人员之后，我开启了最喜欢的体验模式，一个人、一个本和一只笔。

与摄影获取信息的全面、丰富但扁平化相比，快速纪录式的草图必然是场地阅读果断的提炼和呈现。面对行刑般的场地，压迫、眩晕、不安和绝望，第四自然让我体会到了作为人的渺小与伟大，设计对策也在笔的代言下渐渐清晰。□

I came to Chenshan West Mine site for the frst time on July 5, 2007. By then, I had no experience of the renovation of a pit. However, "doing homework" in advance is not my way of working.Sometimes experience (either directly or indirectly) might kill designers' genuine instinct. Without prior knowledge, it is easier for themselves to follow the intuition when they frst arrive at the venue.After sending aside my accompanies, I began my favorite touring mode - myselfy alone with a notebook and a pen.

Compared with photography's comprehensive, rich but flattening way of getting information,the quick recording sketch is a decisive scanning and refnement of the venue. In the face of a venue which likes an execution ground, I felt a sense of oppression, dizziness, anxiety and despair. The Fourth Nature let me feel the tininess and greatness of human beings. And the design strategy gradually appeared from the sketch.□ (Translated by QI Yiyi)

项目信息/Credits and Data

设计团队/Project Team: 朱育帆，姚玉君，孟凡玉，王丹，严志国，翟薇薇，郭畅，孟瑶，张振威，冯纾苨，孙建羽，何晓洪，崔爱军/ZHU Yufan, YAO Yujun, MENG Fanyu, WANG Dan, YAN Zhiguo, ZHAI Weiwei, GUO Chang, MENG Yao,ZHANG Zhenwei, FENG Shuni, SUN Jianyu, HE Xiaohong, CUI Aijun

建筑面积/Floor Area: 43,000m²

摄影/Photos: 陈尧/CHEN Yao

4 坑体南壁/South face of the pit

5.6 外景/Exterior views