新罗马Eur区会议中心及酒店，罗马Eur区，意大利

马西米利亚诺·富克萨斯/Massimiliano Fuksas

新罗马Eur区会议中心及酒店，罗马Eur区，意大利

马西米利亚诺·富克萨斯/Massimiliano Fuksas

New Rome-Eur Convention Centre and Hotel, Rome-Eur, Italy, 2016

1 草图/Sketches

新罗马Eur区会议中心及酒店“云”内设礼堂、展厅和酒店——新建公共空间5.5万m2。其中体现了三种截然不同的建筑概念：基底，“膜”和“云”，以及“刃”。基底部分可从哥伦布大道经通向建筑大堂和问讯处的楼梯进入。“膜”是一个效果震撼的外壳，又是会议厅和酒店的立面。它由金属、玻璃和预应力混凝土组合而成。悬挂在“膜”内的是“云”，这两个空间的相互关系对于建筑综合体是至关重要的，它代表着罗马城与会议中心的关系。最后一个建筑概念是“刃”，即独立的建筑。它分为17层，有439间客房，是为会议中心和罗马的游客提供住宿的酒店。

这些图是在项目的施工图阶段、综合体即将动工前画的。在最初概念、方案设计和扩初阶段，富克萨斯工作室也画了很多图纸，其类型和细节因比例而异。马西米利亚诺·富克萨斯的创作过程从绘画开始，而这可以表达在任何表面或介质上。实际上，为了表达清楚，他会亲手画图。随后这种表达会转化为模型，然后在图中继续深化。这三个阶段必须相互融合，因为所有这些条件都会决定这个项目。□（尚晋译）

2.3 外景/Exterior views

4 内景/Interior view

The New Rome-Eur Convention Centre and Hotel "the Cloud" hosts auditoriums, exhibition spaces and a hotel -amassing 55,000 square metres in new public space. It comprises three distinct architectural concepts: the basement, the "Theca"and "Cloud", and the "Blade". The basement is accessed on Viale Cristoforo Colombo, via a staircase that leads into the building's main foyer and information point. The "Theca" is the stunning outer shell and façade of the convention Hall and Hotel, which has been made from a combination of metal, glass and reenforced concrete. Suspended inside the "Theca" is the "Cloud" –the interplay between these two spaces is essential to the complex –symbolising the connection between the city of Rome and the convention centre. The fnal architectural concept is the "Blade" –an autonomous building split into 17 foors and containing a new 439-room hotel built to provide accommodation to visitors to the centre and the city of Rome.

The drawings were developed during the Construction Document Stage of the project, shortly before the construction began on this complex. During the Initial Concept, Schematic and Design Development Stage, Studio Fuksas also produced many drawings, but they varied in type and detail depending on the scale. Massimiliano Fuksas' creative process begins with paintings, which can be expressed on any type of surface or medium. In fact, to express himself he paints. Subsequently this expression is translated into a model, which then is further refined in drawings. These three moments, then, must be completely amalgamated with each other, because all of these conditions defne the project.□