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赵卿的油画艺术:在视觉常态中提炼

2015-11-03庞茂琨

重庆与世界 2015年11期
关键词:油彩美术学院油画

赵卿的油画艺术:在视觉常态中提炼

Zhao Qing's Painting to be Refi ned in Visual Normalcy

人物名片

赵 卿 副教授 四川美术学院油画系油画教研室主任2015年艺术足迹:在星星艺术空间举办“浮生记-后窗之象”个展,参展意大利佛罗伦萨“流变与共在——中国新现实绘画”、四川省美术馆“从解放碑到宽窄巷子”成渝画院百名画家邀请展、“为大于细——四川美术学院油画系青年教师邀请展”、杭州艺术博览会、台北艺术博览会等。

Zhao Qing, Associate Professor Director of the oil painting teaching section of fi ne arts painting department of Sichuan Academy

2015 art footprint: hold "Fushengji" exhibition in stars art space, participate in exhibition of China new reality painting in Florence, Italy, hundreds of painters of Chongqing and Chengdu invited exhibition by Sichuan province Gallery, and “Youth teachers of Sichuan art college Painting Department invited exhibition”, Hangzhou Art Expo, and Taipei Art Expo.

在中国当今的艺术实验中,借用绘画这一传统的形式来探究人们内心感受和审美体验新的可能性仍然是值得多数当代艺术家去努力挖掘的一种实践行为,哪怕是以很传统的方式切入,只要是忠实于自己特定的感悟,创造的快慰仍然会眷顾于实验者的!

赵卿近期的画表明了他仍属于比较传统和强调视觉感悟的一类画家,他并不刻意表达绘画以外更多的观念言说,而是通过普通的日常生活提供的视觉元素来返回绘画本身,使精神 性与绘画性通过自然表象融为一体。

赵卿绝对是一位对艺术和生活抱有极真诚的态度、试图在寻常的视觉经验中、在沉寂的传统语汇中执着挖掘的拓荒者。纵观美术史上的许多绘画大师,他们都无不是将绘画单纯化,让思想和观念隐藏于绘画的语言方式之中,以纯视觉的方式来诉说、来阐释,而无需将观念外化后直接登场,这既符合于绘画这一视觉艺术的特性,也更能让视觉与心灵获得一种和谐的交流。赵卿便是抱守这样一种信念来创作的艺术家……

01 《童年三部曲——星空》布面油画125X145cm01 Starry sky of childhood Trilogy 125X145cm

02 《小魔仙》60X70cm02 Little magic fairy 60X70cm

文/庞茂琨

01 浮生 11# 125X145cm 亚麻布面油彩01 Floating Life NO.11 11# 125X145cm

02 浮生 16# 60 X 73 cm 亚麻布面油彩02 Floating Life NO.60 16# 60 X 73 cm

03 浮生 25# 120X120cm 亚麻布面油彩03 Floating Life NO.25 25# 120X120cm

In the Chinese contemporary art experiment, a practice of using the traditional form of painting to explore people's inner feelings and aesthetic to experience new possibilities is still worth most contemporary artists to work on, even in a very traditional way, as long as it's faithful to their particular understanding, the joy to create still favor in Trier!

Zhao Qing's recent paintings suggest that he's still the kind of painter who's more traditional and emphasizes the visual perception, he did not express his thoughts more than painting,but to return the painting itself through the ordinary visual elements of daily life, so that the spirit and paintings become one through the natural appearance.

Zhao Qing is defi nitely a dedicated mining pioneer who has a sincere attitude for art and life, attempts to explore more through unusual visual experience and in the silence of the traditional vocabulary. Most of masters in history simplify painting; let their thoughts and ideas hidden in the language of painting in a purely visual way. Zhao Qing is one of these artists who are holding the belief.

Written by Pang Maokun

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