书展会中的奥地利展馆，法兰克福，德国

展馆常代表昙花一现之美和一种近乎拟人的维度：它们程式化地出现在“错误”的地点，转瞬即逝，却仍可以（也许）成功地使人们产生正确的意识。建筑的物质性消失了，取而代之的将是其重要意义——这是一种可与写作相媲美的现象。文字，无论是打印、镌刻或绘制的，都拥有某种纪念性的特点。当一个个字母被组织为词汇、语句和文章段落时，字母便消失了，转而为文字的含义所替代。这座展馆和文字的联系也产生了内涵。□（徐知兰 译）

Pavilions represent the beauty of transience,an almost anthropomorphic dimension: They are stylised, transitory appearances at the 'wrong' place but can still, possibly, succeed in creating a correct consciousness. The physicality of the building disappears to be replaced by its significance - a phenomenon comparable with that of writing.Lettering, whether typed, chiselled or painted,possesses a certain monumental character which,when the letters are arranged to form words,sentences and texts, disappears to be replaced by meaning. The pavilion and the lettering are engaged in a relationship which produces meaning. □

业主/Client: 奥地利共和国/Republic of Austria

合作者/Collaborator: Eric Red

1 外景/Exterior view（摄影/Photo: Margherita Spiluttini）

2 剖面/Section

3 平面/Plan

4 外景/Exterior view

5 外景/Exterior view

6 内景/Interior view（4－6 摄影/Photo: Margherita Spiluttini）