存量实验

程博

岚建筑设计主持建筑师程博在 “一切皆改造”的演讲中，提出改造核心无非是处理新旧的关系，而存量时代下的建成环境仍有很多可操作的余地。随后，通过数个相对轻量级的城市空间介入项目，论述如何激发城市空间特质以及回应日常生活中城市尺度和人体尺度。在这些项目中，剧院改造在保留建筑类型特征同时采用经典立面形式语言，中轴线绿地改造中利用交通核心回应城市公共空间绝对意义，滨海栈桥改造运用算法优化拟合帮助从基础设施到人体的尺度拉伸。另一方面，节日大道美术馆通过尺度转换实现对日常状态的切割和剥离。

In the speech “Everything can be transformed,” CHENG Bo, the principal architect of Lan Architectural Design,proposed that the core of transformation deals with the relationship between the old and the new. Especially in the stock era, there are still a lot of possibilities for manipulation in the existing built environment. Later on, through several relatively lightweight urban space intervention projects, Cheng discusses how to stimulate the characteristics of urban space to reflect the urban and human scale in daily life. Among these projects,the renovation of the theater retains the characteristics of the building type while adopting the classic façade design. In the renovation of the central axis green space,the traffic core has absolute meaning for urban public space. The utilization of algorithm optimization can help extend space scale from infrastructure to the human body in the case of Binhai Trestle Bridge Renovation. On the other hand, the Festival Avenue Art Museum project achieved the separation of the daily state through scale conversion.

案例1 深圳垂直设施

案例2 梦工场-实验剧场改造

案例3 大鹏滨海扶手

案例4 增量美术馆