一座可以“触摸”的书院 —— 眉山东坡书院

项目地址：四川省眉山市东坡区

业主单位：万科眉州置业

用地面积：12 000 平方米

建筑面积：2 760平方米

设计单位: XAA建筑事务所詹涛工作室

主创建筑师: 詹涛

方案设计：田望、王梦宇、邬超、李梔、林烁、

林希腾，黄娘新，黄晓炜

幕墙设计：张德强，唐杰鸿，谭琨

结构/机电设计：广州瀚华建筑设计有限公司结构所

室内设计：广州燕语堂装饰设计有限公司

景观设计：笛东规划设计（北京）股份有限公司

效果图：XAA建筑事务所CG工作室

设计时间：2018年

竣工时间：2019年

摄影：九里建筑、邬超、路径建筑摄影、形在建筑空间摄影

Project location: Dongpo District, Meishan City, Sichuan, China

Client: Vanke

Site Area: 12 000 m2

Build Area: 2 760 m2

Design Firm : Janson Xian Architect+Associates (Xaa)

Lead Architects: Zhan Tao

Design Team: Tian Wang, Wang Mengyu, Wu Chao, Li Zhi, Lin Shuo, Lin Xiteng, Huang Niangxin, Huang Xiaowei

Facade Consultant: Zhang Deqiang, Tang Jiehong, Tan Kun

Structure/Engineering Design: Guangzhou Hanhua Architects+Engineers Co.,Ltd

Interior Design: Enjoy Design

landscape Design: DDON

Rendering: XAA-CGSTUDIO

Design Date: 2018

Completion Date: 2019

Photographer: ix-miles , Wu Chao, Lujing Photography, Here Space Photography

寻

“大江东去，浪淘尽，千古风流人物。”——苏东坡《念奴娇·赤壁怀古》

眉山，紧邻省会成都，车程约1小时，有半小时高铁直达，交通便利。其悠久的人文历史，可追朔至1500年前，在唐宋年间尤为兴盛。公元1037年，苏轼生于四川眉山。史载，两宋300年间，眉山得进士者近千人，而“三苏”苏洵、苏轼、苏辙更为眉山才子典范，宋仁宗曾感叹“天下好学之士多在眉州（眉山）”。

“眉山出三苏，草木为之枯。”眉州的父老乡亲们对苏氏父子的喜爱埋在了骨子里。尤其是对苏轼，乡亲们实在词穷了，就干脆说他是文曲星下凡，俨然已经把他当作自己家乡的不二代言人。万科，将东坡书院选址于眉山岷江畔。致敬这位伟大的文人，表达对眉山这片土地和人民的热爱。

Opening

Meishan city, where is one hour’ s drive away from the capital city of Sichuan. The city is proud of its 1500 years long humanity history and especially the high light time from Tang to Song Dynasty.

Around 1037 A.D., Susi (who is one of greatest litterateur, politicians and poetics in China’s history) born in Meishan city. According to written history, there were nearly a thousand Meishan inhabitants were selected to serve the emperor of country because of their outstanding literacy just during the 300 years of Song dynasty. It shows how the people in Meishan city love literature.

形

“横看成岭侧成峰，远近高低各不同。”——苏东坡《题西林壁》

一位诗人说过：“诗是开创形式的灵魂”。

书院并未拘泥于传统建筑形式，而是受到诗的启发，以简练奔放折跃的屋面表达出建筑的性格和空间张力，如同苏轼不拘一格的豪迈个性。延绵起伏的屋顶呼应峨眉山起伏的山势，借湖光水影，水陆交替，静卧湖边。

建筑连续的坡屋面有效地营造了连续的外廊空间，成为访客提供静坐品茗、凭栏眺望的场所，也是建筑与环境过渡、融合、室内外情景交替的空间。

屋顶三大片天窗为室内的博物陈和阅读提供了良好垂直自然光线，与屋檐下四方落地的连续玻璃面一起，创造了一个通透、自由而连续的空间，让视线可以肆意穿越，建筑也由此 “浮”于水面。

感

我们希望对事物的认知不仅停留于视觉，对建筑亦是如此。一座能通过手来“阅读”，因“触摸”而感知的建筑应该是有温度的。于是，书院的屋顶便延伸到了地面，路过的人可随时触碰和抚摸屋面墨色的瓦，用触觉感知墨色的质感和温度，触发内心深处“瓦”的记忆。

由于借鉴了传统木结构的建构体系，整体采用钢结构体系，使得近人尺度的竖向支撑体系得以采用钢、木两种材料混合运用，木质的温润与钢、玻璃的凉意形成的反差，加强了人的存在意识。踩着木质外廊，伴随咿呀作响的脚步声，人可行至石阶边，拾级而下，水面近在眼前，叠水之声与湖面漫起水的雾气，让人仿佛置身水墨画卷。

意

“白露横江，水光接天。纵一苇之所如，凌万顷之茫然。浩浩乎如冯虚御风，而不知其所止；飘飘乎如遗世独立，羽化而登仙。”——苏东坡《前赤壁赋》

正如中国哲学大家朱光潜先生所说：“美不仅在物，亦不仅在心，它在心与物的关系上面。”我们希望到这里的人在亲近自然的同时，更能通过身体的全面感知，能将自己融入这熟悉的东方水墨场景。书院的存在，也在眉山这片土地上，因为构建了与人的一种新的交流关系而变得更美。

Among all these outstanding people in Meishan City’s history, the local people especially love Sushi and they metaphorically say Sushi was God of literature descend to earth. Therefore,they memorized him and have made him the symbol of Meishan City. The city developer pioneer, Vanke, is going to build academy architecture beside the MIngjian river of Meishan city. In order to salute to Sushi and express the love for the people and land of this place.

Forms

One poetics had said, poem is the soul for creating the form.

Unlike the general modern architecture, inspired by poems from Sushi, the architecture shows the strong personality and space tension by its mountainous roof.

The consistency of roof has cultivated, created proper atmosphere forvisitors with different activities. It is also a transitional space between outdoors and indoors.

Natural lights can go through the architecture freely because three large scale roof windows and all the light penetrable surrounding glass curtain wall. And because the application of glass curtain wall, it makes the building fl oating above the lake in front of it.

Sense

As architects, we hope we can do more than the matter of visual.

By applying steel structure instead of concrete, visitors can sense the warm of architecture because the scale of construction is friendly to human, it also remains visitors the traditional wooden building. However, the usage of glass and metal materials provide the surprising cool touch for visitors and such contrast will enhance the impression of being in the moment.

Bonding

Borrowed from the philosopher, Zhu Guangqian, beauty is not just exist in the object itself or the observer, but also existing in the connection.

The existence of this architecture had establish a kind of connection between local people and culture, nature, we hope some beautiful things had been brought to Meishan city because it.