邢窑博物馆

项目地址：中国河北省邢台市

业主单位：内丘县旅游局

项目规模：10 890 平方米，

其中地上4 770 平方米，地下6 120 平方米

设计单位: 中旭建筑设计有限责任公司+言川建筑（YCA）

项目负责人：韩玉斌，刘延川

方案设计：刘延川，佟晓威，马建龙，魏元辰，马亚立，段晨晓

项目经理：孟义强

室内设计：北京锐合凯达工程设计有限公司

设计时间：2013年

建成时间：2017年

照片摄影：陈鹤

Project location: Xingtai, Hebei, China

Client: Neiqiu Tourist Administration

Size: 10 890 m2, Above Area 4 770 m2, Underground Area 6 120 m2

Design Firm : Zhongxu Planning & Architecture Design, YCA

Design Director: Han Yubin, Liu Yanchuan

Architectural Design : Liu Yanchuan, Tong Xiaowei, Ma Jianlong,

Wei Yuanchen, Ma Yali, Duan Chenxiao

Project Management: Meng Yiqiang

Interior Design: Ruihe Engineering Design

Design Date: 2013

Completion Date: 2017

Photographer: Chen He

邢白瓷是中国瓷器发展史上重要的一环，它的发明与制作，打破了自商代以来青瓷为主一统天下的局面，形成了中国陶瓷史上有名的“南青北白”的新格局。邢窑白瓷对后代彩绘瓷器影响深远，在中国陶瓷史上的地位不容忽视。

随着2012年邢窑遗址得到确认，建造展示邢瓷文化的博物馆成为地方政府必然的选择。

内部研究、办公空间和设备用房像一道城墙，把博物馆从周边农田及低矮破旧建筑形成的杂乱日常环境中剥离出来；这道城墙的另一侧是开放的敞廊，围绕着一个从地面抬高的水池；对公众开放的展览空间像七件质朴的瓷器，漂浮在水面之上；水池下面是连成一体的入口和主展厅；对称但似是而非的宽大台阶连接着环廊、水池和北侧的广场。

瓷器一般的展厅和相应的附属设施尺寸各异。我们在设计中使用圆形填充的算法作为几何控制图解，把它们聚拢为一个整体。

人们沿着正方形的敞廊漫步，不论在哪个位置，都会被中间的碗状造型吸引。夏日游走其间，可以细细体味一泓碧水在弧形外墙底部形成的粼粼波光；冬日移步至此，一抹暖暖斜阳将定格最美丽的瞬间。

邢瓷发端于隋，盛于唐。大唐的豪劲气质（vigor）与至简的方和圆必定相关。当代如何使用方和圆？且看我们自问自答。

Xing white porcelain is an important part in the history of Chinese porcelain development. Its invention and production broke the situation that celadon dominated the world since the Shang Dynasty, andopened up the famous "Celadon South & White North" phenomenonin the history of Chinese ceramics.

With theacknowledgement of theXing Kiln Ruins in 2012, to design and build a museum displaying Xing porcelain culture has become an inevitable choice for local government.

Internal research, office space and equipment rooms are like a wall that separates the museum from the messy everyday environment of surrounding farmlands and low-dilapidated buildings；inside the wall is an open gallery that surrounds a pool elevated from the ground； the exhibition space open to public is like seven pieces of rustic porcelain floating above the water； below the pool is acontinuousspace containing the entrance and main exhibition hall； symmetrical but plausible wide steps connect the ring gallery, pool and square on the north side.

Porcelain showrooms and corresponding ancillary facilities vary in size. In order to bring them together as a whole, circle packing algorithm is used in the design as geometric control diagrams.

Visitors walking along the square open gallery, wherever they are, will be attracted by the bowlshaped forms in the middle. During the summer walk, they can appreciate the ripples of light reflected from the clear water at the bottom of the curved outer wall； in the winter, the warm sunlight will freeze the most beautiful moments.

Xing Porcelain originated in Sui dynasty, and flourished in Tang dynasty. The Great Tang

分析图1：以不同的圆形填充一个给定的区域，圆形的起点和次序对最终的形状有极大的影响。如果初始填充的两个圆相切而且同时与外围的大圆相切，圆心连线通过大圆圆心，则按照这种规则持续填充形成的图形将是一个对称而僵化的图形。因此我们将规则稍作修改：最初的两圆圆心连线通过大圆圆心，但这两个圆只与外围大圆相切，彼此并不相切，将中心区域空出，提供了仰望天空的视角；后续填充的圆，大小和位置将有更为灵活的可能性，从而带来形态和空间的丰富性。

分析图2：在确定了第1,2个圆填充时中心空出的方向后，第3个圆的不同位置和相切方式会决定第4个圆的位置。以此类推，则可以确定每个圆最终的排列方式。

分析图3：每个碗形空间的剖面也用圆来控制。剖面的圆形分成三种，主要的两个展厅各有自己的剖面控制尺寸，其余的五个次一级造型采用同一种控制尺寸。

Empire’svigor and the simplicity of the square and the circle must be related somehow.How to use square and circle in contemporary times? This is our thinking and answer.

Diagram 1Filling a given area with different circles, the location of the fi rst one and the order have a great in fl uence on the fi nal shape. If the two initial circles are tangent and at the same time tangent to the outer large circle, and the line connecting two centers of the initial circles passes through the center of the large circle, the fi nal pattern formed under this rule will be a symmetrical and rigid pattern. So we have slightly modi fi ed the rules: the fi rst two circles are connected to the center of the big circle, but the two circles are only tangent to the outer circle, and they are not tangent to each other, leaving the central area free, providing a view looking up at the sky. The sizes and locations of the circles fi lled afterwards will have more fl exibilities, so as to generate form and space richness.

Diagram 2After determining the direction in which the center is vacant when the fi rst and second circles are fi lled, the location and tangency of the third circle determine the location of the fourth circle. So on and so forth,the fi nal pattern will be fi xed in the same way.

Diagram 3The pro fi le of each bowl space is also controlled by a circle. The circular shape of the section has three types. The two main exhibition halls have their own section control size, and the remaining fi ve sub-level shapes adopt the same control size.