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乌得勒支 In Lumine Tuo

2019-10-28荷兰乌得勒支

世界建筑导报 2019年5期
关键词:塔楼灯笼教堂

荷兰乌得勒支

建设单位:乌得勒支市

艺术设计:Keith Bradshaw,Mark Major

照明设计:Speirs + Major

艺术顾问:Marijke Jansen

项目经理:Kees Van De Lagemaat

城市工程师:Arthur Klink

摄影:© James Newton & Speirs + Major

Client: City of Utrecht

Artists: Keith Bradshaw, Mark Major

Lighting Design: Speirs + Major

Art Consultant: Marijke Jansen

Project Manager: Kees Van De Lagemaat

City Engineer: Arthur Klink

Photography: © James Newton & Speirs + Major

对于获奖理念,我们用光作为叙述工具,将14世纪标志性的大教堂塔与相邻的大教堂(圣马丁大教堂)以及大教堂广场连接起来,以永久庆祝乌得勒支条约签订300周年。

设计理念便始于这三个要素的抽象视图,三个要素被视为乌特勒支社会积极且重要的成员。光让建筑彼此相连,与城市居民交流着城市的记忆,回忆起这座城市的悠久历史。

声誉和历史文化意义为每个要素的照明方法和保护,以及长期可持续性的必要制约因素提供了依据。大教堂的灯光来自内部,十分微妙,营造出一种灯笼的效果。相反,从城市的许多地方都可以看到塔楼,它是沟通者,叙述着故事。戏剧化的照明让这栋哥特式建筑燃烧起来。

这生动的静态场面简直令人叹为观止。然而,每隔15分钟,伴随塔楼时钟的节奏,灯光序列开始时,这种真实感才会展现出来。教堂、广场和塔这三个元素开始一起“呼吸”,光在它们之间建立了一种联系。光线的播放开始加速,记忆以光的爆发之势得以呈现,似乎穿过拱门、阳台和钟楼攀登到教堂塔。光的序列在至灯笼处达到高潮并结束,多束闪光和阴影在钟声中释放。

For this commission-winning concept, we used light as a narrative tool to connect the iconic C.14th Dom Tower with neighbouring Dom Church (St Martin’s Cathedral) and Dom Square as a permanent celebration of the 300-year anniversary of the Treaty of Utrecht.

Our idea began as an abstract view of these three elements as living and valued members of Utrecht society. Light would allow them to communicate their memories to each other and to the people of the city, recalling the layers of history that have de fi ned the city.

Character, historical and cultural significance informed our lighting approach to each element,along with the necessary constraints of conservation and long-term sustainability. The light for the Cathedral is subtle and comes from within, creating a lantern effect. Conversely, the Tower, which is visible from many parts of the city, is the communicator of the narrative, illuminated in a dramatic style that sets off the gothic architecture.

The static image of the tableau is breath taking. However, the true nature of the piece is revealed every fifteen minutes when, in time with the Tower’s clock, a light sequence begins. The three elements begin to ‘breathe’ in unity, light establishing the connection between them. The play of light accelerates and memories, represented as bursts of light, appear to ascend the Dom Tower through the arch, balconies and bell tower. The sequence culminates with a finale in the lantern, where multiple fl ashes of light and shadow are unleashed to the sounds of pealing bells.

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