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林风眠艺术精品展“清寂鹜影”魅力

2017-07-05张海鹰

艺术交流 2017年1期
关键词:中国画院绘画史北京画院

林风眠艺术精品展“清寂鹜影”魅力

三只梨 林风眠Three Pears by Lin Fengmian

由中国美协、上海市美协、上海中国画院、中华艺术宫、北京画院共同主办,北京画院美术馆承办的“清寂鹜影——林风眠艺术精品展”于1月20日至3月5日在北京画院美术馆举办。展览汇聚了林风眠20世纪40至70年代精品36件,作品涵盖了林风眠具有代表性的静物、花卉、仕女、禽鸟、风景精品。展品大都源自上海市美协、上海中国画院、中华艺术宫收藏精品;北京画院院藏的两件作品也在展览中首次呈现。

林风眠是20世纪中国绘画史上具有重要意义的画家。其重要意义不仅在于他作为中西融合派的代表,以引人瞩目的话语诉求和创作成就充实了20世纪绘画史,而且因为他独特的人生际遇和富于意味的应对方式,集中而鲜明地承载着20世纪绘画史所特有的文化语境。

The“Lonely Shadow of Wild Duck”Exhibition Showcased the Charm of the Master Artworks by LIN Fengmian

“Lonely Shadow of the Wild Duck: Exhibition of Master Art Works by LIN Fengmian” was held from January 20 till March 5 at the Art Museum of Beijing Fine Art Academy (BFAA). The exhibition was sponsored by China Artists Association (CAA), Shanghai Artists Association (SAA), Shanghai Chinese Painting Academy (SCPA), China Art Palace (CAP) and BFAA. It gathered 36 pieces of master art works by Mr. LIN Fengmian for the period between 1940s and 1970s, including paintings of still life, flowers, birds, maidens and landscape. Majority of the exhibits came from the collections of SAA, SCPA and CAP. Two artworks from BFAA were introduced to the public for the first time in this exhibition.

Mr. LIN Fengmian carried special significance in the 20th-century Chinese fine arts history, not only because he was an icon figure for the convergence of Chinese and Western paintings, testified by his impressive appeals in words and accomplishment in creative works which had all enriched the 20th-century painting history, but also for his unique circumstances in life and his meaningful responses, which intensely and vividly reflected the distinctive cultural context in the 20th-century painting history.

(译张海鹰)

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