阿克伦艺术博物馆

美国俄亥俄州 (2001-2007)

阿克伦艺术博物馆

美国俄亥俄州 (2001-2007)

业主：阿克伦艺术博物馆

规划设计：蓝天组建筑设计事务所

设计主持：沃尔夫•狄•普瑞克斯

项目合作：Michael Volk

设计建筑师：Tom Wiscombe; Mona Marbach

项目建筑师：Angus Schoenberger

设计竞赛：2001年，一等奖

基地面积： 8 370平方米

总体可用建筑面积：8 244平方米

图片：Roland Halbe

绘图：蓝天组

Client: Akron Art Museum, Akron, Ohio, USA

Planning: COOP HIMMELB(L)AU – Wolf D. Prix, Helmut Swiczinsky, Wolfdieter Dreibholz ZT GmbH

Design Principal: Wolf D. Prix

Project Partner: Michael Volk

Design Architects: Tom Wiscombe, Mona Marbach

Project Architect: Angus Schoenberger

Competition(1st Prize): 2001

Site Area: 8 370 m²

Total usable Floor Area: 8 244 m²

Images: © Roland Halbe

Plans: © COOP HIMMELB(L)AU

蓝天组通过阿克伦艺术博物馆展现了一种新的博物馆设计理念，即“未来博物馆”。博物馆的传统功能和城市空间共同形成了一座新型的文化中心，向参观者提供数字、模拟信息和体验。

博物馆由三个部分组成：水晶体、美术馆和云顶。

水晶体作为博物馆的主入口，可作为一个指示方位的场所，并与新旧建筑物的公共功能区相连。它是一个大型、灵活的空间，可用于举办宴会、艺术节，或供外部机构和企业举办各种活动。

美术馆内部是一个广阔的空间，柱体较少，因此可以非常灵活地适应不同的展览需求。大型货梯负责搬运各个存储区的大尺寸艺术品，同时也是装货码头和美术馆之间的纽带。美术馆内部没有自然光，因此照明条件得以严格控制，并保证展品免受阳光侵害。

云顶盘旋在该建筑物的上方，由于其质量和材质的因素，为博物馆增添了一种朦胧感。它将室内空间围合，并在外部形成阴影区域，同时也是城市的横向坐标。

节能方案

通过策略性的建筑体量法和大量采用自然光，大大降低了水晶体对照明、采暖和制冷的能源消耗。美术馆和云顶的体量和位置可保护水晶体免受南面的阳光直射。同时，立面材质的反光性能可增加自然光的亮度，并减少对人造光源的需求。

水晶体利用微气候环境处理采暖和制冷，因此无需对水晶体内的空气体积进行调节，同时可集中使用能源，对人群聚集区域的空间进行调节，通过这样的方式，大幅度降低了运营成本和能源消耗。

美术馆和水晶体的楼面由现浇混凝土板构成，中间埋设了水管，通过大面积改变楼板的温度来实现采暖和制冷。这种辐射地板系统比单纯的强制性空气系统更有效率，因为它利用了大面积的混凝土来存储和提供稳定、持续的采暖和制冷源。

With the Akron Art Museum Coop Himmelb(l)au has developed a new museum concept – "a Museum of the Future". The conventional functions of a museum and an urban space form together a new type of cultural center that offers digital and analog information and experience.

The building is broken up into 3 parts: the Crystal, the Gallery Box, and the Roof Cloud.

The Crystal serves as the main entry and operates as an orientation and connection space serving both the new and old buildings. It is a grand, flexible space that can also be used for banquets, arts festivals, and events hosted by outside organizations.

The interior of the Gallery Box is an expansive space which has very few columns and is therefore extremely flexible for varying exhibition requirements. A large freight elevator brings oversized works to and from the storage areas and serves as a link between the loading dock and Gallery Box. Natural light is eliminated in the galleries so that it can be strictly controlled and damage from sunlight can be eliminated. The Roof Cloud, which hovers above the building, creates a blurred envelope for the museum because of its sheer mass and materiality. It encloses interior space, provides shade for exterior spaces, and operates as a horizontal landmark in the city.

The Energy Concept

The energy necessary for lighting, heating and cooling the Crystal is minimizeed by strategic building massing and extensive daylighting. The mass and location of the Gallery Box and High Roof protect the southern oriented Crystal glazing from direct sunlight. At the same time the reflectivity of the façade material raises natural light levels in the Crystal and reduces the need to power artificial light sources.

The Crystal utilizes microclimate zones as a heating and cooling concept. By eliminating the need to condition the entire air volume in the Crystal, and by focusing the energy used to condition the space in the areas where people are located, operating costs and energy use are significantly reduced.

The floors of the Gallery Box and Crystal are composed of poured in place concrete slabs with water filled tubes that supply heating and cooling by changing temperature state of the massive floor slab. This radiant floor system is more efficient than simple forced air systems because it uses the mass of the concrete as a storage device which delivers a stable continuous source of heating and cooling.

Akron Art Museum

Ohio, USA (2001-2007)