龙美术馆西岸馆，上海，中国

龙美术馆西岸馆，上海，中国

Long Museum West Bund, Shanghai, China, 2014

建筑设计：柳亦春，陈屹峰，王龙海/大舍建筑设计事务所

Architects: LIU Yichun, CHEN Yifeng, WANG Longhai/Atelier Deshaus

1 内景/Interior view

2 总平面/Site plan

龙美术馆西岸馆位于上海市徐汇区的黄浦江滨，基地以前是运煤的码头，设计开始时，现场有一列被保留的1950年代所建的大约长110m、宽10m、高8m的煤料斗卸载桥和两年前已施工完成的两层地下停车库。

新的设计采用独立墙体的“伞拱”悬挑结构，呈自由状布局的剪力墙插入原有地下室与原有框架结构柱浇筑在一起，地下一层的原车库空间由于剪力墙体的介入转换为展览空间，地面以上的空间由于“伞拱”在不同方向的相对联接形成了多重的意义指向。机电系统都被整合在“伞拱”结构的空腔里，地面以上的“伞拱”覆盖空间，墙体和天花均为清水混凝土的表面，它们的几何分界位置也变得模糊。这样的结构性空间，在形态上不仅对人的身体形成庇护感，亦与保留的江边码头的煤料斗产生视觉呼应。建筑的内部空间也得以呈现一种原始的野性魅力，而有着大小调节的空间尺度以及留有模板拼缝和螺栓孔的清水混凝土表面又会带来一种现实感。这种“直白”式的结构、材料、空间所形成的直接性与朴素性，加上大尺度出挑所产生的力量感或轻盈感，使整个建筑与原有场地的工业特质间取得一种时间与空间的接续关系。

地面以上的清水混凝土“伞拱”下的流动展览空间和地下一层传统“白盒子”式的展览空间由一个呈螺旋回转、层层跌落的阶梯空间连接，既原始又现实的空间和古代、近代、现代直到当代艺术的展览陈列，这种并置的张力，呈现出一种具有时间性的展览空间。

项目信息/Credits and Date

客户/Client: 私人/Private

设计团队/Project Team: 大舍建筑设计事务所（建筑设计）/柳亦春，陈屹峰，王龙海，王伟实，伍正辉，王雪培，陈鹍（建筑师）/Atelier Deshaus (Architectural Design)/LIU Yicun, CHEN Yifeng, WANG Longhai, WANG Weishi, WU Zhenghui, WANG Xuepei, CHEN Kun (Architects)

用地面积/Site Area: 19,337m2

建筑面积/Floor Area: 33,007m2

设计时间/Design Period: 2011.11-2012.07

施工时间/Construction Period: 2014.03

摄影/Photos: 苏圣亮/SU Shengliang

1

3 室外通道/Alley through the museum

Long Museum West Bund is located at Xuhui District in Shanghai along Huangpu River. The project site was previously used as a coal transportation wharf. Before the current design, there are a coal-hopper-unloading bridge and a two-story underground garage existing on site. The bridge was constructed in the 1950s, and is about 110m long, 10m wide and 8m in height. The garage was just completed two years ago.

The design adopts independent cantilever structures featuring "vault-umbrella". Freely arranged shear walls go all the way down to the existing basement and are integrated with the existing concrete structure frame. These shear walls transform the first level of the underground garage into an exhibition space. Above ground, the "vault-umbrellas" with various directions interconnect with each other and create a rich space with multiple orientations. All the electrical and mechanical system is integrated within the "vault-umbrella" structures. Within the ground level covered by the "vault-umbrellas", walls and ceilings are treated with ascast concrete finish. As a result, the geometric division between them is blurred. These structural spaces not only provide protection and comfort at the human scale, but also respond to the existing coal-hopper-unloading bridge at the wharf visually. Moreover, the interior space of the building presents a primordial and wild charm, while the spatial dimension, large or small, and the as-castfinish concrete surface bring a sense of reality with details such as the seams and bolt holes left by the molding boards. The directness and simplicity resulting from the combination of "straightforward" structures, materials and spaces, together with the powerful or light quality generated by the large-scale overhangs, achieve continuity between the building and the industrial character of the existing site, not only in space but also in time.

The flowing exhibition space on the ground level covered by the as-cast-finish concrete "vaultumbrellas" and the "white box" exhibition space in the basement are connected with a spiral staircase. The primordial but realistic space and the juxtaposition of the ancient, modern and contemporary art works create a tension and present an exhibition space with the dimension of time.

4 内景/Interior view

6 桥、咖啡屋和江畔/Bridge, cafe and the river

5 结构概念图/Structure plan

评委评语

龙美术馆西岸馆设计构思源自场地当中一段1950年代的工业遗存。建筑简洁纯美、内含弧线的方正形体，朴素、细腻而精致的清水混凝土与玻璃，由“伞拱”遮蔽而成的展厅，以及建造上从整体到细部极高的完成度，都在与所处地段的历史相呼应，共同组成既承载工业文明记忆又富于现代美感的城市空间。同时，设计巧妙地将设备管线隐蔽于结构空腔中，使内部展厅空间省却了做作的装饰，堪称完美。

对公众开放的公益属性使美术馆天然贴近城市生活，龙美术馆西岸馆在实现其本质功能的同时，还续写着城市环境的延续与变迁。

7 煤上传桥和博物馆/Coal-uploading-bridge and the museum

8 伞体单元/Detail of the vault-umbrella

9 内景/Interior view

Jury Statement

The design of Long Museum West Bund was inspired by an existing industrial structure on site built in 1950s. The building is a simple and pure cube embedded with curves. The as-cast concrete finish and glass are plain, refined and exquisite. The exhibition halls are formed by the "vault-umbrellas", and the construction is of high level of completion, from the overall to the details. All of the above responds well to the history of the site, jointly creating an urban space with modern aesthetics that carries the memory of industrial civilization. Meanwhile, the design skillfully hides all pipelines in the cavity of the structure, thereby perfectly eliminating artificial decorations in the interior exhibition space.

With an open access to the general public, Long Museum West Bund is closely linked to the urban life of common people. While providing basic functions, it also documents the continuity and change of the urban environment.