赵鹰的油画探索

2019-09-09傅查新昌

世界知识画报·艺术视界 2019年8期

傅查新昌

Zhao Yings works in ballet theme focused on the vividness of the visual images rather than other popular modern themes. Zhao Ying captured the passionate moment and sexy gestures of ballet dancers， and reproduced them in his oil paintings， adding a depiction about stage plot and a touch of symbolic meaning.

Zhao Ying was famous for his paintings of beautiful women， especially beautiful city ladies. In his works， he revealed the life of modern city women and their relationship with the world surrounding them. In fact， many of his works showed a lasting attention to the modern spirit. His works often bear a sense of straightforwardness， and usually were bright and full of happiness， which echoed with Zhaos character. His works came from his pursuit of primitive beauty and eventually became his characteristic practices of mind and heart.

在当今这个多元的时代，赵鹰觉得追求视觉形象的生动真实或许比玩世、戏拟、反讽、对抗、图说的主题情节更为重要。他选择芭蕾舞台，通过捕捉练功房里演员瞬间的姿态，遵循既成的善与美，创作出激情、性感的芭蕾舞者群象；手法时尚而本真，很享受地把芭蕾舞者的精神实相重新复现在一种阴柔可爱但却激情绚烂的光辉之中。毋庸讳言，赵鹰热衷的芭蕾舞主题绘画创作的艺术灵感，源于用芭蕾舞者心态演绎时代主题内容的艺术天赋。他的油画作品不仅注重舞台情节的描述、主题内涵的表达和象征寓意的挖掘，而且还探索对于表现对象本身视觉真实性的生动展现。

从《足尖·精灵》《足尖·斑斓》《足尖·爵士帽》《足尖·纠葛》和《足尖·疲》等作品最基本的创作动机中，可以读出赵鹰對舞台人生的真切感悟和珍惜，以及对生命的热爱。作为一名男性画家，赵鹰用映照内心的抒情语言，出于一种好玩之性，以描绘各种女性姿态、明朗的女性世界内在结构关系为统摄，缕析出都市丽人生态圈的主题轮廓和基本脉络，从而把偶然、美好、神奇的人性变奏与不连贯的人生游戏推至美学领域，几乎到了唯美的边缘。这足以表明在当代油画艺术界，赵鹰是一位不倦的探索者。实际上，赵鹰的诸多作品都充斥着对现代精神的持久关注，因而吸引了收藏家们的广泛关注。在他的绘画创作过程中经常表现出一种直率性，使很多观者不由自主地产生收藏的欲望。不难发现，赵鹰喜欢表现女性世界的阴柔之美，他的油画以善于描绘美女形象著称。在人物的形色处理方面，他追求一种速写式的审美快感，表现美女柔美鲜活的神情与动作。赵鹰的作品画面油色非常薄透，形色也尽量减少反复塑造，洒脱畅快的笔性特征被充分调动出来，在形色的塑造中显现出心性直抒的随意与灵动。这种速写式的油画语言跟他追求现场的形象张力融为一体，是他所追求的原生态美感的体现。尽管这种“心灵在场”的速写式油画语言还有待进一步提炼与升华，现场的原生再现尚可处理得更精微与深入，但赵鹰对原生态美感的审美追求，的确在当下过度修饰、过度设计的艺术创作中起到某种纠偏作用。毕竟他找到了表现真实的良途，而且这种创作经验又是如此能够揭示阴柔之美的真实状态。

在赵鹰舞台人生题材的作品里，并没有图说事件、情节、主题，而是从形象塑造的本体出发，让形象的真实生动替代情节性的描述。他的关注点在于捕捉芭蕾舞者自身在随机与偶然中呈现出来的生命本真状态。在这些油画作品中，能读到赵鹰油画创作的审美宗旨，即始终没有抛弃对造型的准确性、构图的严谨性、色调的和谐性的刻意追求。除此之外，他有时候也任凭形式、色彩、笔触、空间从绘画主题中自由生发，进入真正的自由创作状态。或者更确切地说，这时候他的舞台人生主题表达退到次要位置，生命本能中的某些原始因素在形式的探索中凸显出来，其根源在于自我的回归。这个自我既是精神层面的，也是现实生活层面的，其背后的驱动力是他个人独特的生命记忆和情感经验。

在这种文化语境中，赵鹰的艺术表达充斥着抒情、赞美、轻松的审美所指，这很符合他的天性——奔放、开朗、自由、激情并富于想象与理想，崇尚阳光、幸福感，并始终对女性形象秉承一种好奇与好玩的心态，这也是他的艺术令人印象深刻的原因。显然，赵鹰对绘画创作做了一次跨界的实验性探索，并无以往的任何艺术流派作基础，全靠独立而自发的心性体验，进行着心灵在场的艺术实践。

Zhao Ying was a member of China Artists Association， councilor of Liaoning Artists Association， Deputy Chairman of Anshan Artists Association， Deputy President of Anshan Oil Painting Academy.

Representative work： oil painting Rouge

Exhibition experience：

1995 Held personal oil painting exhibition in Seoul on invitation

1998 Oil paintings A Mirror In the Rehearsal Room， The Summer Solstice were selected for the 13th New Exhibition of China Artists Association

1999 Oil paintings Sunniness， gouache painting Fragrant Cloud were selected for the 9th National Fine Arts Exhibition

1999 Participating in the creation of large panorama Battle of the Red Cliff which won the golden award in the 10th National Fine Arts Exhibition

2001 Oil painting Lady in the Fashion Shop was selected for the Chinese Oil Painting Exhibition

2005 Oil painting Latin， Latin was selected for the 6th National Sports Art Exhibition

2006 Oil painting Fashion Magazine was selected for the “Landscape & Style” National Small Oil Painting Exhibition

2007 Oil painting The View of the Backstage was selected for the 14th National Art Stars Award - Painting， Calligraphy， and Photography Exhibition

2009 Propylene works Blazing Sun was selected for the 7th National Sports Art Exhibition

2011 Oil painting Early Spring and Early Autumn was selected for the “Sublimity outside of the Great Wall - My Land My People” China Oil Painting Exhibition

Many of his oil painting works were collected by domestic and German， Korean， American， Indonesian， and Singaporean collectors and organizations.