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名家评论

2019-05-28

世界知识画报·艺术视界 2019年5期
关键词:中国美术家协会国画笔墨

With a sober mind and keen feelings of arts, He Yongsheng has devoted himself to creating his own art language with continued endeavors and exploration, grasping the local characteristics of the Chinese paintings and complying with the aesthetic psychology of the Chinese nationalities.

— Li Xiang (Vice Chairman of Chinese Artists Association, member of the national committee of CPPCC)

画家何永生通过不懈努力和探索,始终保持清醒的头脑以及对艺术的敏锐感觉与执着信念,在把握中国画本土特色和那些形成中国民族审美心理结构的恒定因素前提下,去创造属于自己的艺术语言。何永生渐趋成熟的艺术风格恰恰反映了他的淡定和坚持,这一点是难能可贵的。相信,通过更加深入地领悟和实践,他的艺术创作将越发精进,越发具备一定的广度和深度。

——李翔(中国美术家协会副主席、全国政协委员)

He Yongshengs works have made big changes in terms of brush and ink structure, composition of picture, as well as color applications in recent years, demonstrating rich artistic connotation and creating a brand new style of Chinese paintings. It is very amazing in todays painting field.

— Zhao Zhenchuan (council member of Chinese Artists Association, member of China Painting Arts Committee, Vice Chairman of Shaanxi Literary Federation, and Dean of Changan Painting School Art Research Institute)

何永生坚持“一手伸向传统,一手伸向生活”。他既有扎实的传统绘画基础,又很好的造型能力。何永生有完整的从戎经历和优良的学习环境,加上个人坚持几十年不懈努力,近年来在笔墨结构和画面结构以及色彩运用上都发生了很大变化,作品呈现出丰富的艺术内涵,开创了中国画的崭新风貌,这是当今画坛难能可贵的。

——赵振川(中国美术家协会理事兼中国画艺委会委员、陕西省文联副主席、长安画派艺术研究院院长)

He Yongsheng is good at presenting a theme by all kind of artistic techniques, creating extremely cohesive, powerful works. His works have a unique artistic style, which are very worthy of collection.

— Miao Zaixin (council member of Chinese Artists Association and member of China Painting Arts Committee)

何永生的绘画传统功底深厚,无论是笔墨语言还是构图形式都体现出非常扎实的基本功。他的绘画作品气势恢宏、构图饱满,笔墨运用恰如其分。他既追求笔墨的灵动趣味,更追求一种雄伟壮阔的格局。特别是从国家级会堂大作品可以看出,他善于调动所有艺术手段为主题思想服务,使作品极具主题性、震撼力和艺术美感。他的作品已经形成独特的艺术风格,所谓风格就是成熟的标志,这是非常难能可贵的,因此具有一定的收藏价值。

——苗再新(中国美术家协会理事、中國画艺委会委员)

He Yongshengs painting techniques of presenting both forms and spirits of objects are obtained based on his profound observations of mountains and rivers, and rich life experience. His aesthetic taste is in line with the traditions of fine arts of the 21st century.

— Wang Jieshan (council member of Chinese Artists Association and Vice President of Beijing Artists Association)

何永生持之以恒地往返于山水之间,感悟大自然赐于的各种山势地貌及内在精神,而这种对千峰万壑的热诚之爱,化作对景创作的笔墨之中,使之情之所动,笔墨必然气韵生动,山石结构也随着眼中所见而因物象形,且又升华为因心造境。何永生在一种“有生活感受,无生活实景”的转换中,强化于笔墨自身独立审美的探寻。在贴近生活的同时,更加注重延伸笔墨的视觉张力,饱满丰盈的内心情感牵引着读者的心绪走出画外……由此体现了他不仅追求外在形象的真似,而且凸显内在精神本质的神似。何永生过人的形神兼备之功,来自于他长期对于真山真水的深刻观察和人生阅历的不断感悟。他的审美视野属于21世纪的历史范畴,笔墨当随时代己经成为何永生的艺术理念和追求。不再纠结于是否承接某家某派的局限之因,而是在转益多师的传统沿袭之后,清醒地以师法自然,渐悟生命本体的生机和潜能,将自我之心契合于天人合一、浑然一体的自然创作之中。久而久之,他的国画线性审美发展由写实演变为意象的自身情感表达,呈现出收放自如、直抒胸臆的自由发挥。在其受到西北厚重地貌和纯朴人文情怀的影响下,产生了属于何永生式的艺术风貌,我们理应为之赞许和欣慰。

——王界山(中国美协理事、北京美协副主席)

He Yongsheng is one of the gifted painters following the traditions of the Changan Painting School and Loess Painting School. Born in the loess plateau in Northwest China, he is deeply influenced by local cultures, and his works also depict the landscapes in this region in turn.

— Luo Genxing (member of Chinese Artists Association)

何永生是继长安画派、黄土画派传统延续下来的又一位猛将。他生于斯长于斯,深受地域文化的影响,使其艺术方向又回归到这里。在传统与现代之间找寻自己适宜的角色。他以一种近似于写实的方法来表现,特别是由于他满怀真情进行创作,使得艺术造型更为质朴真实。在创作中,他自觉融入西方艺术技巧,通过大自然的色彩表现景物,而不是运用传统概念中的色彩表现景物,从而形成一个很重要的艺术特色。由此,他的绘画呈现出一种清新蓬勃、积极向上的生命气象。

——骆根兴(中国美术家协会理事)

Most of the landscape paintings of He Yongsheng in the past three decades depict the scenes of the loess plateau in Northwest China. He is the most capable painter who can comprehensively present the landscape of the loess plateau I have ever seen.

— Du Aimin (Chairman of Xian Literary Federation and wellknown art critic)

何永生的山水画创作,多以西北黄土高原为对象,30多年不曾转移。他是我所见过的山水画家中表现黄土高原山川风貌最为系统全面的一位。他不是画那一片土地上的风景,而是在表现生活在那里的人们最常见的平凡日常生活。那些在时间之流中瞬间就明灭的人间烟火,黄土沟梁上时隐时现的牧人与羊群,被他的画笔永久地定格和保留,它们的短暂性与恒常的平凡,经由画家之手具有了价值的恒久性;他的绘画,在一直不变的变化中,形成了自身内在的指涉,即生成与流变这一现代的精神气质。

——杜爱民(西安市文联主席、著名美术评论家) Born in Yichuan county of Shaanxi province in 1962, He Yongsheng has had a military experience for three decades and engaged in art creations for four decades. Mr. He has pursued advanced studies at Xian Academy of Fine Arts and Capital Normal University successively. He now is a member of Chinese Artists Association, professional painter at CPLA Academy of Fine Arts, and art researcher of the Changan Painting School.

His works have been displayed at many national largescale exhibitions, such as the 12th Chinese Military Exhibition of Fine Arts, the 4th Chinese Paintings Exhibitions, the National Fine Arts Exhibition for Celebrating the 80th Anniversary of the Victory of the Red Armys Long March, and the National Fine Arts Exhibition for Celebrating the 90th Anniversary of the Foundation of the CPLA. He has hosted five solo exhibitions in Lanzhou, Gannan and Yanan so far.

何永生(一明軒主人),1962年生,宜川人,祖籍米脂,军旅三十年,从艺四十载。先后深造于西安美术学院、首都师范大学。中国美术家协会会员,中国人民解放军美术院专业画家,中央国家机关美术家协会理事,长安画派艺术研究员,现居北京。

作品《杨家沟——转战陕北的中南海》入选庆祝建军85周年全国美展暨第12届全军美展。

《故园秋语》入选第四届中国画展暨五年来全国优秀中国画作品展。

《永远的长征路》入选2014年“中国梦强军梦”军事题材美术作品展。

《十渡印象》2014年入选第八届中国西部大地情中国画、油画作品展并被中国美协收藏。

《南梁记忆》入选纪念红军长征胜利80周年全国美展。

《向上的颂歌》入选建军90周年全国美展。

《朝阳》被毛主席纪念堂收藏。

《西岳峥嵘壮雄风》巨幅国画作品悬挂在总后礼堂二楼西厅。

《枣园瑞雪》巨幅国画作品悬挂在总后礼堂一楼贵宾厅。

《泰岳晨辉》巨幅国画作品悬挂在中央党校。

《终南烟云》悬挂在空军会议中心。

《龙盘山河壮雄风》悬挂在空军大楼。

先后在兰州、甘南、延安、举办过五次个人画展。擅画山水、画鸟兼人物画。其艺术历程及作品先后载入《中华现代美术家大辞典》《中国当代画家大辞典》等大型辞书。出版发行有《何永生花鸟画集》《何永生国画作品集》《大家气象——何永生国画作品》《中国美术家大系——何永生卷》。

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