警察总署及沙勒罗瓦舞蹈公司，沙勒罗瓦，比利时

建筑设计：让·努维尔工作室 + MDW建筑事务所

警察总署及沙勒罗瓦舞蹈公司，沙勒罗瓦，比利时

建筑设计：让·努维尔工作室 + MDW建筑事务所

让警察总署和舞蹈公司共享同一地段的想法，既不可思议又令人振奋。

在沙勒罗瓦，我们建造了一座新的警察总署，并对沙勒罗瓦舞蹈公司的建筑进行扩建。这项改造计划是一次契机，创造能从街道便捷抵达的新的城市空间。我们希望它活力四射、熙熙攘攘。因此在广场中心设置了一家大餐厅，地段上的用户以及周围邻居都可以在这里交流会面。

新塔

为了给城市创造一座新地标，我们将新塔的表面包裹了蓝色的釉面砖。我们所选择的深蓝色让人想起警察的标志，其表面反射着微光，就像是沙勒罗瓦天际线上的一座灯塔。

由于塔楼的形状特殊，无法用常规的排砖方式来实现。因此我们设计了3种不同形状的砖块，并仅仅规定了排布的基本原则。最终效果就是由各层砖块的随机排布所形成的。

使用砖块建造的方式很理性，同时也是可持续的：鉴于塔楼及其窗户的复杂曲面形式，如果用混凝土浇筑的话，大多数模板都只能是一次性的，而且窗户的形状也需要在混凝土上进行精密复杂的裁切。

技术上，平整的钢梁环绕每一楼层，承受砖立面的重量，并确保排布方向保持水平。

在3种形状的砖块的制作过程中，我们都会在正面上镀釉，有时在侧面上也如此，以此来抵御风和雨水的腐蚀——尤其是在建筑背面的内凹抛物线的部分。

建筑底层铺地与周围的公共广场采用相同的地砖，以此加强不同元素间的协调，弱化室内外的严格分界。

公共广场

广场是这个项目的重要组成部分，它被看作一个统一性的元素，连接着警察总署塔楼、翻修后的D楼和E楼、沙勒罗瓦舞蹈公司的公共剧场，以及餐厅。

尤其鉴于建筑群各个部分的地坪高度各不相同，选择地砖还有利于增强灵活性和持久性。

新建的步行广场使用了75mm厚的红砖铺地。在塔楼的周边区域采用红蓝十字交叉铺地，以此让（蓝色的）警察总署大楼与（红色的）历史建筑相融合。

地砖采用交叉缝式铺设，这是由于广场必须能让卡车及消防车驶入。地面局部隆起，以创造广场的运动感，并实现不同建筑元素间的转换。由于这些部分不需要特定的承重力，因此地砖的厚度变薄（45mm），并采用普通的错缝式铺设。这样的二元性也形成了整体纹样下的有趣变体。

塔楼两侧的公共广场都有一定的地面隆起，下面设置了塔楼与侧翼的连接通道，并在背面隐藏了警察总署中偏向后勤的功能部分。

侧翼建筑

地段上60%的现存建筑都被保留并修复。在其余建筑的拆除过程中，我们对几百块砖进行情节和整理，并堆放在工地一侧，用于两座侧翼建筑的修复，其中包括D楼，它在旁边的建筑拆除后就未曾封闭。（黄华青 译）

1　蓝色釉面砖与红砖的对比/Brick potpourri shimmering between blue， violet and black2　外景/Exterior view3　总平面/Site plan

项目信息/Credits and data

客户/Client: 沙勒罗瓦市/City of Charleroi

项目总监/Project Leaders: Julie Parmentier， Marie Moignot

设计团队/Architectural Team: 让·努维尔工作室（法国）/ Ateliers Jean Nouvel （France），MDW建筑事务所（比利时）/MDW Architecture （Belgium）

建筑师/Architects: Mélanie Doremus， Bernard Duprat，Stacy Eisenberg， Sophie Laromiguiere， Ludovic Magnifico，Kirsi Marjamaki-Mas， Anne Traband （AJN）； Yvan Breithof，Miguel Camba， Liz Poggioli， Vincent Sainlez， Stéphanie Seldeslachts， Daniele Wagner （MDW）

工程师/Engineers: VK Engineering， DTS & Co， MATRIciel，Venac

承建商/General Contractor: CFE （BPC – CFE Brabant）

成本咨询/Cost Consultant: CFE

建筑用途/Building's Purpose: 警察总署，舞蹈教室及公共空间/Police headquarters， dance studios and public space

砖材类型/Brick Type: 饰面砖/Facing bricks， 粘土铺地砖/ Clay pavers

建筑面积/Floor Area: 30，727m²（警察总署/Police headquarters），11，431m²（停车场/Parking），19，392m²（塔楼/Tower）

建造周期/Construction Period: 2012.06 – 2014.08

摄影/Photos: Filip Dujardin （fig.1，2，7，9）， Lida Guan （fig.5，8）

评论

韩孟臻：塔楼通过采用高耸、圆滑并带有收分的体量，高反射度的深蓝色釉面材质，在整体尺度上与周边建成环境形成鲜明对比，借此确立起自身的标志性。同时，竖长比例开窗（尽管两层通高）、相对低的窗墙比，以及砖墙砌筑中对于手工艺的执着追求等，又与周边建筑进行了刻意的对话。“对比协调”，鼓励着建筑设计中个人艺术创作自由的发挥，在城市中建成了诸多新旧建筑戏剧性并置的“出名”案例，迎合了当今具有话题性、图像化、快速消费的媒体时代。正由于这类“戏剧性”源自于建筑师灵感迸发的感性创作，对于同样依靠个人感性来评判其日常生活环境的受众而言，往往会出现认同与抵制两种极端化的评价。

范路：警察总署及沙勒罗瓦舞蹈公司是一个充满巴洛克气质的项目。夸张变形的警署新塔位于广场中央，与保留的历史建筑形成戏剧性的形体和色彩关系。保留的兵营、舞蹈公司和酒吧围绕广场布局，把各种人流吸引汇聚在新塔周围，形成包容多变的场所。局部隆起的广场，将建筑和场地融合在一起，形成了整体宏伟的空间感。而新塔表面与广场地面的浮华砖饰，更突出了这种氛围。简而言之，这都表达了需要被注意的渴望，呈现了巴洛克艺术的内在精神——表现冲击力胜于表现优秀。

It is both strange and somehow stimulating to combine a police headquarters and a dance company on the same site.

In Charleroi we have built a new police headquarters and extended the Charleroi Danses buildings. These transformations were an opportunity to create a new urban space that can be reached from the street and that we wanted to be active and bustling. This is why a large brasserie was created at its heart， a place where users of the site and its neighbors can meet.

The New Tower

In order to create a new landmark for the city，the new tower is encased in blue glazed brick. The color was chosen to remind the dark blue of the Police force， and the surface reflects light in a subtle way， acting like a beacon in Charleroi's skyline.

Because of its particular shape， a regular layout of the bricks was not achievable. Therefore three different sizes were designed and only general rules of use were specified. The result is random brickwork generated by the bricklayers themselves.

The use of brick was rational， but also sustainable: due to the complex curvature of the tower and its windows， most concrete forms for pouring concrete would have been of a single use and the windows geometry would have implied tailored solutions.

Technically， flat metal bars located every other floor bear the weight of the brick cladding and ensure that courses are laid horizontally.

The three sizes of brick were also manufactured with glazing on part of broad face， and sometimes on the sides as well， to ensure proper protection against wind and rain erosion， especially at the back of the building where the curvature was parabolic.

The ground floor pavement is made of the same brick as the public square to accentuate the cohesion between the elements and to attenuate the strict division between the inside and the outside.

The public square

The square is an essential component of the project and is conceived as a unifying element between the Police tower， the renovated D and E wings， the public venues of Charleroi Danses and the Brasserie.

As such and given the important difference of levels between all the parts of the ensemble， brick was again chosen for the flexibility and durability it offers.

This new pedestrian square is paved in 75mmred brick， criss-crossed with blue bricks around the tower in order to connect the new Police headquarters to the historical buildings.

Bricks are generally laid in a herringbone pattern as the square has to be accessible for vehicles（moving trucks and firefighters）. Some "humps" were create to give movement to the square and to act as transition between elements. As no specific bearing property is required， bricks are here thinner（45mm） and are laid in strecher bond. This duality also provides an interesting variation of the general pattern.

On each side of the tower， the public square transforms into brick humps that cover the connexions with the lateral wings and hide the more logisitc parts of the police complex at the back.

The Wings

60% of the existing buildings on the site were kept and restored. During demolition of the remaining constructions， hundreds of brick blocks were set aside and cleaned for repair and renovation of the two lateral wings， including the Aisle D gable that was left opened after the demolition of the building next to it.

4　铺地纹样/Floor pattern5　铺地砖细部/Detail of paving tile6　纵剖面/Longitudinal section7　旧楼内的警察餐厅/Police canteen in the old building8.9　室内用砖/Bricks in interior

Comments

HAN Mengzhen: This tower is soaring， sleek and conoid in shape， fashioned with a highly-reflective dark-blue glaze， and as it stands in sharp contrast to its surroundings， a landmark is created. At the same time， long double height windows， a lower ratio of window to wall， as well as the pursuit of refined brickwork communicates a desire to interact with its surroundings. "Contrast Coordination" encourages architects to generate their own creativity freely when designing， thus creating noted cases of dramatic juxtaposition of the new with the old within the city. This principle intersects with the current characteristics of topicalized， graphic， and consumption-oriented modern media. This dramatic juxtaposition can be generated by architects' emotional creation and their inspirational moments. The audiences judge their daily environment on their emotional feelings， and it is quite common to have two opposing views: of appreciation and ingratitude.

FAN Lu: The Police Headquarters & Charleroi Danses in Belgium is a project of a strong Baroque taste. The newly-built police tower in an exaggerative and dramatic shape stands up in the center of the public square， and contrasts theatrically in form and color with the preserved historical buildings. Different kinds of people are attracted to the square， which fuels vitality to the public space. Some "humps" are created to give movement to the square and to integrate buildings and the ground. The showy brick claddings of the new tower and some part of the square emphasize the grandeur and wholeness of the public space. In short， all these treatments present the spirit of Baroque art – the need to be noticed and expressing impacts more than being good.

Police Headquarters & Charleroi Danses， Charleroi， Belgium， 2014

Architects: Atelier Jean Nouvel + MDW Architecture