椭圆住宅，福岛，日本

2014-02-20建筑设计坂茂建筑事务所

世界建筑 2014年10期

建筑设计：坂茂建筑事务所

椭圆住宅，福岛，日本

建筑设计：坂茂建筑事务所

1 庭院/Courtyard

这座住宅位于典型的开发成熟地区，场地附近有一条蜿蜒向南的小巷和一条朝北延伸的高速公路，宅基地形状呈普通的矩形。由于场地外部并无特别值得欣赏的景观，我们把建筑四坡屋顶下的空间一直向外延伸至地段边缘，并在场地内部设计了一处庭院，以加强室内外空间的联系。相比起在矩形的建筑内部再放入一个矩形庭院、并由此在建筑侧边形成4个独立室内空间的方案，我们选择了相反的设计，在建筑内部引入一个椭圆形的中庭，以营造连续的流动空间。此外，通过略微旋转椭圆平面的角度，也在中庭与矩形的建筑之间形成了若干品质独特而形态多样的空间。（徐知兰译）

The site for the house is on typical developed land, with a winding alleyway to the south and an expressway to the north, in an ordinary rectangular plot of land. With no particularly special views, the volume of the hipped roof is extended to the perimeter of the site, and an interior courtyard is created to enhance the connectivity between the interior and exterior. Rather than placing a rectangular courtyard within the rectangular volume and creating four distinct interior zones along each face, an elliptical courtyard is introduced to achieve a fluid continuity of interior space. Furthermore, by slightly rotating the elliptical courtyard, diversified spaces of unique quality emerge between the atrium and the rectangular architecture.

项目信息/Credits and Data

项目团队/Project Team: Shigeru Ban, Nobutaka Hiraga, Jun Matsumori, Kensuke Kato, Kuwahara Yukiko

结构设计/Structural Engineers: Hoshino Architect & Engineer

设备设计/Mechanical Engineers: Chiku Engineering Consulting

总承建方/General Contractor: Kajima Corporation

建成时间/Construction Period: 2009.06

摄影/Photos: Hiroyuki Hirai

2 内景/Interior view

3 外景/Exterior view

4 内景/Interior view

董功：水院为虚，体量为实。中央虚，四周实，虚实相生。空间朴素而清澈，不多余，不过分，建筑释放出一种闲适安静的场。坂茂的设计总是这样，很少看到任何夸张的个性表达和对于“激动人心”的刻意追求。这种克制的、近乎平淡的叙述，承载着一种骨子里的东方的自然观。

李翔宁：这个典型的坂茂作品展现了他一贯的朴拙风格——在最平庸的矩形地块中插入一个微微旋转的椭圆内院，使得建筑室内产生了令人惊奇的多样性。面向城市的立面质朴抽象，几乎成为日本式住宅的原型，室内白墙木结构的简洁清新和室外的材质形成对比，室外金属屋面的细腻反光和磨砂玻璃的半透明材质又传达出日本建筑特有的暧昧性。

Comments

DONG Gong: The water garden is void while the volume is solid. The void is surrounded by the solid, which expresses the balance of nihility and reality. The space is austere and clear, with no excess or exaggeration, revealing a tranquil and comfortable ambience. In Shigeru Ban's architecture, we seldom see any intentional desire for "breath-taking" moment, or exaggerated characterized expression. This plain and restrained narration conveys the oriental conception of the relationship between human and nature.

LI Xiangning: This Shigeru Ban's work reveals his usual austere style: a slightly rotated elliptical inner courtyard, although placed within a very banal rectangular plot, brings surprising diversity to the interior. The facade towards the city, plain and abstract, has almost become the prototype of Japanese houses. The interior white walls is of a simple and fresh wooden structure, in sharp contrast with the exterior materials, while the delicate and reflective metal roof and the translucent frosted-glass convey the unique ambiguity of Japanese architecture.

Ovaless House, Fukushima, Japan, 2009

Architects: Shigeru Ban Architects