与万物的对话——米尔他·卡帕拉里的个人自述

与万物的对话
——米尔他·卡帕拉里的个人自述

ADIALO GUEW ITHTH EM ATTER——MIRTHA CAPPELLARI PERSONAL STATEMENT

有时，我不知道我在寻找一种怎样的表现形式……或者说，好像是这些表现形式在寻找我。

当我准备在一块泥土上进行创作时，是这块泥土本身引导我的下一步行动。我用手和手中创作出来的作品表达自己的感情。当我试图向人们解释的我创作过程时，我也许就是谈论人们所说的灵感。

在这里，阿根廷的中心地区，所有的气流在这里交汇融合，土地向我奉献出她千百年来形成的岩土。这也就是为什么我全说，将泥土拿在手上这本身也是一种仪式。在那时，我的灵魂脱离了外界环境。

我认为，我的工作就是不断地探索如何诠释我作为人或者说作为女人的体验，因为我女性特征贯穿了我的整个创作。每当回忆起我的作品和构思这些作品的体验后，我开始意识到这一点。

Sometimes I don'tknow what shapes I'm looking for...it is the other way round,as if shapes were looking for me.

When I work on a pieceitis the clay it self,which I prepare and work with,that dictates my next movement.I express with my hands and with what comes outofthem.When Itry to explain my working process,maybe I'm talking about what others call inspiration.

Here,in the centre of Argentina,where allwinds meetand cross,the earth givesme the produc to fhercen turi esofformation.That iswhyt aking the clayin my hands is aritualinit self.At that moment,I remove myself from my surroundi ngs.

I feel that my work is a constant search to express my experiences as person-wom an,as myfemal econdition i spresentt hroughout my work.I become aware of this,after remembering my pieces and the experiences that gestated them.